A letter transgresses the boundary of inside and outside, reflected in images of repurposed prisons in the Netherlands.

17 year old Noah arrives to Croatia, where his mother was sent for work. We follow him endeavoring on the journey of integration into new society, through the subplots of love and friendship.

Kagawa Eiji is a detective who looks more like a gangster. He previously worked at the Metropolitan Police Department investigating organized crime groups, but he was recently demoted to the Sakuramachi Chuo Police Station without being given a reason why. Kagawa Eiji desires to return to the Metropolitan Police Department to get answers. Meanwhile, he works with Detective Hasumi Kosuke at the Sakuramachi Chuo Police Station. Detective Hasumi Kosuke carries a big secret that has never been revealed. A case comes up, where a housekeeper, working at a professor's house, is stabbed to death. At that time, a rookie detective, Mizuki Nao, begins to work with them. Kagawa Eiji and Hasumi Kosuke are bothered by her. She is the daughter of the assistant commissioner at the Metropolitan Police Department. They begin to work together.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

Doug Bradley narrates from within the story, surrounded by evocative original artwork and animation with original music and sound design by Alistair Lock

In this parody follow-up to the 1983 classic film, the Greasers mourn the loss of their fallen comrade Johnny Cade, and while doing so, they receive a threatening message from the rival group, known as "the Socs", who are threatening to kill their beloved member Ponyboy Curtis if they do not attend a second rumble.

In this documentary, Louise "Gypsy Lou" Webb, now well into her nineties, tells the story of how she and her husband Jon Webb published the avant-garde literary magazine 'The Outsider' from a small apartment in the French Quarter in the early 1960s. By day Gypsy Lou sold paintings on a street corner, and by night she set the type that introduced the world to the beat poet Charles Bukowski.

A young lesbian couple creates a mail-order business selling adult VHS tapes and Polaroids as a means to escape their oppressive Baptist town in the Ozark Mountains of Missouri.

From a lifetime of institutionalization to international acclaim in the art world, Outsider: The Life and Art of Judith Scott is an intimate portrait of a compelling, eccentric and talented individual who has prevailed in the face of daunting odds.

Join director Francis Coppola and his remarkable cast (including Matt Dillon, Ralph Macchio, Rob Lowe and C. Thomas Howell) as they reminisce about their experiences shooting "The Outsiders" in 1982 in Tulsa, Oklahoma.

“It’s not a natural desire to be a modern artist”. Malcolm Morley In 1984, Malcolm Morley was the first winner of the Tate Gallery’s prestigious award, the Turner Prize, for the year’s major contribution to British art. It came as something of a surprise because he has always been, by his own volition, an outsider who remains aloof from the art world. Since 1957, he has lived a reclusive life in America and harbours ambivalent feelings about his native Britain. Characteristically, he was not there to collect his £10,000 prize. It is impossible to label him as a painter, as he has always avoided association with the schools and styles of contemporary art, though he seems to have pioneered many of them. Art critic Robert Hughes calls him, “the man whose methods have been relentlessly plundered by a generation of artists.” This programme looks at Morley and his work. He talks at length about his art and is seen at work in his New York studio.

Adam Clayton retraces a trip artist Francis Bacon took to Ireland in 1929, painting a fresh picture of Bacon's relationship with the land of his birth.

TJFF pays tribute to the beloved and influential actor/writer/director. In addition to the special in-person event, An Afternoon with Saul Rubinek, TJFF presents a FREE online screening series full of rare titles from the CBC archive—Rubinek as small-town detective Benny Cooperman investigating a crime in Algonquin Park; early pilots featuring Saul alongside Martin Short, Eugene Levy and Dave Thomas from their pre-SCTV days; and more.

A woman exists alone in a mysterious dark castle, with no memory of how or why she is there. One day she decides to climb the highest tower in the hope of seeing the sky...and in doing so briefly learns the terrible, ghastly, unbearable truth....

Free-spirited university student Rafaela’s carefree life is shaken when she falls pregnant. Desperate to get an abortion in a country where doing so could land her in jail and unable to fund one illegally, her situation shakes her world. But thankfully, she doesn’t face it alone by virtue of her best friend and sidekick, Gabriela. In her directorial debut, Hyland skilfully captures the incongruity of the inseparable duo’s lives as they move between their fuzzy pink apartment and the rough and raw backstreets of Santiago.

A forgotten artist's work is rediscovered, raising questions: does the work of self creation end when we do, or does that little universe of self somehow continue to expand through the consequences that we leave behind?

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

The Ceddo people try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap his daughter, Princess Dior Yacine, to protest their forcible conversion to Islam.

A French hit man is hired by a crime family to end the life of a rival mobster, but things fall apart when the boss who hired him is killed.