For the first time, cameras will go behind the scenes to reveal what it takes to run one of the world’s greatest performing arts centres, the Sydney Opera House.

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Invited for a anniversary celebration, Kindaichi, Miyuki and inspector Kenmochi re-visit the Opera House. There they discover that a play of The Phantom of the Opera is being rehearsed again. However, it doesn't take long when members of the acting troupe are killed by the Phantom. Kindaichi will once again have to solve a murder series in the Opera House.

Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.

It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

Invited for a anniversary celebration, Kindaichi, Miyuki and inspector Kenmochi re-visit the Opera House. There they discover that a play of "The Phantom of the Opera" is being rehearsed again. However, it doesn't take long when members of the acting troupe are killed by the "Phantom". Kindaichi will once again have to solve a murder series in the Opera House.

Bryan Adams Live At Sydney Opera House is a standout performance from his 2011 world tour. Filmed at the world renowned Sydney Opera House, Bryan performs some of his all time classics including Can't Stop This Thing We Started, (Everything I Do) I Do It For You, Heaven, and Summer of 69'.

Jules Massenet | Werther W.A. Mozart | Don Giovanni Georges Bizet | Carmen Giuseppe Verdi | Macbeth Richard Wagner | Rheingold J. M. Staud – D. Grünbein | Die Weiden W.A. Mozart | Don Giovanni W.A. Mozart | Le nozze di Figaro Richard Strauss |Ariadne auf Naxos Richard Strauss | Capriccio Ludwig van Beethoven | Fidelio Giuseppe Verdi | „ Falstaff

Recorded on the forecourt of the Sydney Opera House on February 8th, 2014 with the assistance of Sydney Opera House Trust

Passions run high as Manrico and the Count di Luna compete for the affections of Leonora. Little do they know, Manrico’s mother Azucena has been keeping a terrible secret for decades. Soon a curse from the past will rise up from the ashes with devastating implications for them all. Starring Rachel Willis-Sørensen, Yusif Eyvazov, Gregory Kunde, Ludovic Tézier and Jamie Barton, Adele Thomas’s energetic staging sets Verdi’s tale in a Hieronymus Bosch-inspired universe of medieval superstition. On the podium, Antonio Pappano conducts Verdi’s dramatic score, featuring the famous Anvil chorus.

A full-length ballet created by choreographer Christopher Wheeldon for the Royal Ballet at the Royal Opera House, Covent Garden. The ballet is based on Lewis Carroll's famous story of Alice, an ordinary girl who one summer afternoon falls down a rabbit hole and finds herself on an extraordinary adventure. The music is by Joby Talbot, with designs by the internationally acclaimed Bob Crowley. Alice is danced by the Royal Ballet's Lauren Cuthbertson, and actor Simon Russell-Beale plays the cameo role of the Duchess.

Love and duty collide and nations clash in Verdi's political drama, starring Elena Stikhina and Angel Blue and conducted by Antonio Pappano and Mark Elder.

Elton and his band are accompanied by London's Royal Academy of Music Orchestra and Choir, performing a rare concert at the legendary Royal Opera House, with songs that include Take Me To The Pilot, Don't Let The Sun Go Down On Me, Burn Down The Mission and Philadelphia Freedom.

Cio-Cio-San, the young Japanese bride of American naval officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her son, Dolore, see Pinkerton’s ship in the harbour. She excitedly awaits his visit – but when Pinkerton and his American wife Kate arrive and learn about Dolore's existence, they ask to take the boy away, and raise him in America. Cio-Cio-San bids her son farewell and takes her own life.

Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: he will give him youth and the love of the beautiful Marguerite, if Faust hands over his soul. Faust agrees, and Méphistophélès arranges matters so that Marguerite loses interest in her suitor Siébel and becomes infatuated with Faust. Faust initially seems to love Marguerite in return, but soon abandons her. Her brother Valentin returns from the war and is furious to find his sister pregnant. Will Faust repent his destructive actions, and can his soul, and Marguerite's, be saved?

Cathy Marston's first work for the Royal Opera House Main Stage is a lyrical memoir of the momentous life of the cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Rich and poignant, joyous and tragic, The Cellist draws on the talents of The Royal Ballet's Principals, Character Artists, Soloists and Corps to tell the moving story of the cellist's life. Composer Philip Feeney incorporates some of the most moving and powerful cello music of Elgar, Beethoven, Fauré, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello.