Or a day in the life of Ahmed Khawaja. A tutorial that forgets to be a tutorial.

A story of a man’s erotic experiences since the age of seven, based on the seventeenth-century novel “Koushoko Ichidai Otoko” by Saikaku Ihara.

A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.

The life and times of American theologian Jonathan Edwards are told from the viewpoint of his wife, Sarah, in this production. Adapted from Maggie Rowe's one-person play, the program tells the story of Jonathan and Sarah's love and support for each other through personal hardships and as Jonathan goes from being the leader of a colonial parish to heading the 18th century religious movement known as the "The Great Awakening."

The daily life of the Dalai Lama is brought home with remarkable intimacy in SUNRISE/SUNSET. Granted total access to His Holiness for 24 hours, this is a day in the life of the Dalai Lama from when he wakes up at 3 a.m. until his bedtime at dusk.

100 Minutes is the tale of thousands of Soviet soldiers who fought the Nazis and whose only ‘crime’ was to get caught. Stalin’s justice meted out on the prisoners who returned home was swift: ten years of forced labour in the Siberian camps. Why then would prisoners like Ivan Denisovich fight to stay alive to face another day of hell?

The Nelson Mandela 70th Birthday Tribute was a popular-music concert staged on June 11, 1988 at Wembley Stadium, London and broadcast to 67 countries and an audience of 600 million. It was also referred to as Freedomfest, Free Nelson Mandela Concert and Mandela Day. In the US, the Fox television network heavily censored the political aspects of the concert.

Élevé par des parents parfaits dans une banlieue proprette, frère cadet d'une fille à qui tout réussit et flanqué d'un ami tombeur, le pauvre Thomas se sent bien ordinaire. Alors qu'il tente désespérément de terminer ses études en architecture avec succès, le jeune homme rencontrera Audrey, une belle ténébreuse qui lui donnera des ailes. Évidemment, le bonheur n'est jamais simple et la vie peut être parfois cruelle...

This early film biography of the founder of modern Zionism depicts a young Herzl learning about Jewish persecution throughout the ages and developing his theory of political Zionism, which he saw as the only solution to anti-semitism.

Beautiful Allison, 30, has no trouble finding a man. It's keeping them that's the problem...

This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.