This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

A behind-the-scenes inside a news story that swept the US: a Zumba instructor, Alexis Wright, who lead a double life as a prostitute. With never-before-seen interviews from men on “the List,” local media and even her husband, Sex, Lies and Zumba will delve deeper into the operation, those involved, and just how this scandal took place in the small town of Kennebunk, Maine.

The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.

Mockumentary family adventure taking its cue from the YouTube viral video sensation. An Australian zoologist travels to China to find the baby panda - whose sneeze has been watched over 250 million times - in the hope that the star attraction will revitalise her ailing zoo.

A seemingly funny story set in a seaside shanty town consisting of cramped beach huts with no view of the sea; crying children in a car, enough luggage for an expedition to distant parts, traffic jams in the rain, a sudden swerve... There is a certain degree of seriousness behind a story whose ups and downs are determined by chance encounter. (Belgian Cinematek)

The Megafauna, carrying Bellri and his comrades, leaves the Venus Globe in pursuit of the G-IT Corps. However, the war situation in the Earth Sphere has changed completely in the interim. The Capital Army, the Amerian forces, and the Dorette Fleet, which have been confronting each other outside the atmosphere, are now clashing even more violently around the untouchable sacred ship Kashiba Mikoshi. Amid all this, Bellri wishes to end the tragedy and hatred that war creates...

Produced in High Definition, with rare archive footage. Queen Elizabeth II has reigned for 60 years as the Queen of Great Britain and the Commonwealth. The Queen, who has witnessed incredible social, political and cultural changes in her reign, has retained the purpose and dignity of the British Monarchy. From the death of her father King George VI, to the marriage of Prince William and Kate Middleton, this is the true story of how the young Princess became a great Queen.

Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..