A group of snowbound strangers discover there are killers amongst them.

While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-gotten fortune.

The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.

A lone Commuter trapped in a speeding MRT train has to push against the force of the speed and escape before it crashes into the LAST STOP.

A young man comes home to his Kazakh village after finishing up his stint in the Soviet Army. All that he finds are his old friends drinking, senselessly carousing, tumbling into one violent brawl after another.

A former partisan Tone, who once believed in the idea of a new, just society, now barely living as a municipal employee. Has an ex-wife and daughter, who live in his apartment, and he lodger. Even his relationship with a waitress, Magda is not without problems.

Moti, a ten-year-old Bengali boy, tells us about his country, his life and an encounter that marked his life, that of Paul Danvin, a French captain, who, with a heavy heart, has just let the scrap merchants of the sea attack the hull of his boat with a blowtorch. In Chittagong, Bangladesh, Paul finds himself without a crew, without papers and without a future. He takes the train to Dhaka, the capital, and meets Moti and her mother Alima. By instinct or by fascination, Paul follows them to the village of Rulipara, built on a strip of land protected from the Jamuna River by dykes. While the monsoon rages, and the Jamuna destroys the houses of Rulipara, condemning the population to a new exile, Alima and Paul engage in a desperate struggle to live their love without hindrance.

In Georgia, in the tiny Didube bus station, characters flow into Niko’s veterinarian pharmacy. They are not really customers, some of them come in by mistake. The faded poster, with its cows that have turned blue over time, is the only trace of an activity connected to animals. The store, its counter overflowing with packaging and other useless things, could have been filmed in another era. But time stands still here, and it really is the Georgia of today that we find in this snapshot of the nonetheless incessant activity at the station. Nodar’s refrain, accompanied by his guitar, paces and pushes the film forward, in fits and start, according to the arrivals and departures of the buses headed for other destinations that are perhaps more rooted in the modern word.

Mitu and Elena get to know each other in the course of a vodka drinking contest and discover that they are both dissatisfied with the status quo. Mitu is about to begin military service and Elena is to be married to a man she does not love. They decide they are meant for each other and plan on a different future, one that is on a collision course with the authorities, and start a mad affair.

Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.

We will definitely talk about this after the last air raid alert stops presents a neon-coloured utopian vision set in a post-war city, where humanity strives for harmony with nature through a recultivation programme.

An Icelandic documentary about the people that work, and hang around Hlemmur, the iconic Reykjavik bus stop. The film follows homeless people, people with disabilities, and a bus driver. A unique view in to their lives, and the view they have on the world. Soundtrack by Sigur Rós.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

A story of a girl who is trying to deal with her illness. Imagining the illness as a Lion and herself as a Unicorn she goes through the different stages of acceptance.

He found fame in his teens with images of his native New York, then lost it again.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

A man, after many years, returns to his home village following the death of his father, a beloved local stationmaster.

A man walks in search of a way to get home. The way back won´t be what he expected.

Bertil is an old man from Norrbotten in Sweden. His brother has just died, and the shipping of the deceased brother turns out to be very expensive. Bertil decides to solve the whole thing in his own way ...