THE KISS is a supernatural thriller that revolves around three bachelors... Kyle, Mike, and Jim. What starts as an afternoon hike leads to a late-night rendezvous with a beautiful seductress full of centuries of rage. In the 28 days that follow, Kyle will experience physical and psychological changes that endanger the lives of everyone around him.

Directed by Ulysses Davis, the screenplay was based on a story by Marc Edmund Jones. Long thought to have been a lost film, a copy was found and put on YouTube. The film is the only known surviving film in which director William Desmond Taylor appears as an actor. In 1964 Taylor's co-star Margaret Gibson, shortly before her death, reportedly confessed to having murdered him in 1921.

When a mother is summoned to her son’s school because of an incident that took place earlier on that day, we see the workings of how society expects people to behave and how it deals with people who do not conform to its norms and rules.

A film by John Smith and Ian Bourn

The heated rhythms of the original Munch have been frozen out. The only touch of colour is in the woman's blood-red bracelet. The only movement is an almost imperceptible caress on her shoulder, from a hand as bleached-out and furtive as a vampire's claw. Throbbing, slowed-down drum'n'bass plays in the background. Dolven has taken a still image that moves, turned it into a moving image that is utterly fixed, and created a work that is enduringly haunting.

The Kiss is a 1958 short film written and produced by John Hayes. The film was nominated for the 1958 Academy Award for Best Live Action Short Film.

A couple meet in a cemetary and kiss.

Using video, sculpture and archival material, the work gives form to a dramatic event that took place in 1993 during the war in Bosnia, when a paramilitary unit abducted 20 people from a train. Hito Steyerl has made her mark on the international art scene as one of the sharpest observers and innovators in the documentary genre. In her critical perspective on documentary, the only objective truth appears to be the lack of information. On this basis, Steyerl examines the role played by the image production process – of which she is herself a part – and technological tools as witnesses to the truth when we write our common history.

The endless, frustrating quest to find just the right moment.

In his film work from the early 1980s, the artist used an Apple computer hooked up to a laser disc player. He scratched the laser disc, creating a stammering image, and a disconnection between time and space.

Bob is a car nut who's oblivious to his wife Sue's need for some amorous action and Barry's (his gay neighbor) unrequited affections. When Sue mistakes the legs sticking out under her hubby's car for Bob's and decides to take action, who can tell where events will lead?

Bill Gabriel Young (Bashar Shbib), a B-filmmaker with a past, discovers he has some kind of blood cancer. He sets out to do his final film as he spends his last days with his children Tanya, Laila and Amir (Maïa Nadon-Chbib, Camille Fortin-Chbib and Tadzeo Horner-Chbib). He finally tells his three children that, by intuitive feeling, he was going to soon die of this cancer. Before succumbing to death, he is determined to tell them his views on the state of the world, conflicts, people’s irreconcilable differences, and lastly about love. Through the voyage of a kiss, which is what ultimately brings them and life together.

With his radio blaring Three Dog Night's "Never Been to Spain," a shirtless man lounges on the hood of his sporty car; he smokes a cigarette as he stretches and shows off his physique. A young woman calls to him from a love seat on the front porch of a large house across the street. She's barefoot, sucking on a watermelon lollipop. He goes over to her and the verbal fencing begins. It looks like it's headed for a kiss, but he's going steady with someone else and she may not be exactly what she seems. By the end, someone has to weigh conflicting information and make an important spring-day decision.

At the harvest fiesta, Don Luis Baldarama, owner of one of California's great ranchos, expects to announce the betrothal of his son, Audre, to Isabella Chavez, the daughter of a neighboring don named Miguel Chavez. However, Audre plans to elope with Erolinda Vargas, the daughter of the ranch superintendent. When Audre confesses to Isabella that he loves another, she joyfully admits that she loves someone else, also. Audre and Erolina slip away during a feast and meet at a cabin, but they are surprised by Selistino Vargas, who, believing that his daughter has been dishonored, shoots Audre.

A young woman's post-pandemic anxiety reaches grisly new heights, when she is confronted by tormented visions of intimacy.

The child bends his head over his candle. The island breeze and the psalms of the Good Friday procession cannot exorcise a persistent image…

It’s the summer before Elle heads to college, and she has a secret decision to make. Elle has been accepted into Harvard, where boyfriend Noah is matriculating, and also Berkeley, where her BFF Lee is headed and has to decide if she should stay or not.

Honeymooning in Bavaria, a young couple becomes stranded and is forced to stay the night in the area. Doctor Ravna, owner of the impressive chateau that sits imposingly above the village, invites them to dinner that evening. Their association with Ravna and his charming, beautiful family is to prove disastrous.

Is it pleasant to be object of obsession of a perfect man? This is the start of a cohabitation story between a woman who thinks "It's more fun to be fulfilled with my interests rather than love," Waka, and a man who has an unrequited love while doing everything he can to persuade her, Shinobu! Waka, who's a librarian, was looking for a place to move into with her huge collection of books. In the midst of that, she suddenly reunited with Shinobu, a researcher, who suddenly kissed her back in high school while reading Tanizaki Junichirou's "A Fool's Love"...?! They suddenly started living together, and when he confessed that he "liked" her, Waka turned him down immediately?!!

Based on a popular manga series of the same name, this Japanese romantic comedy follows the lives of two high school students, Kotoko, a bubbly girl who’s hopeless in school, and Naoki, her smart and handsome senior. Although Kotoko gathers up the courage to confess her love to him, he bluntly rejects her in public. But fate works in mysterious ways - when her house collapses, a childhood friend of her father’s, Mr. Irie, invites them to live with his family, and she learns that the son of Mr. Irie is none other than Naoki himself…