Psychological drama with a tragic love story underlining.

Still photographs and narration give an overview of the history of the American Indian.

A short documentary by Arne Sucksdorff about a village in India. Won the Special Prize of the Jury in Cannes 1952.

Black Indians are inhabitants of New Orleans neighborhoods , African-Americans who gather in tribes, make the most beautiful costumes of the world, and parade in the streets like African angels disguised as dreaming indians by affirming to the face of the world the pride, beauty, and humanity of their communities. This documentary pays tribute to the Indian spirits of the land of America as do the Big Chiefs of the tribes we follow throughout the film. Musical and danced, joyful, Black Indians takes us back to the roots of call and response , a musical form that is the last living tradition of African culture and one of the sources of jazz

Two married couples cruise from town to town along the Adriatic coast. While men are occupied with booze and sea, their wives are more interested in the young "skipper", who seems to be a virgin. Frivolous flirting evolves into drama when one of the wives and the skipper start feeling something that appears to be love.

It has often been said that Uruguay has no remaining indigenous population. Roberto and Monica, who are two charrua descendants, vindicate their heritage and make us look back into the past to question the present. In a society that denies part of their origins, the quest for identity becomes a challenge.

This is, for 1906, a strikingly ambitious prototype-documentary travelogue filmed in and around the cities now called Kolkata and Mumbai. It's full of precious, occasionally startling images, from an extended 'phantom ride' down busy Calcutta streets to thronging port life, street trading, even the cremation of a human body and the ritual decapitation of lambs on a Bombay street – a scene some viewers may find upsetting. This is a French production but, like many of the 'exotic' travel films so popular in early cinema, it travelled widely itself – hence this version, with English language intertitles.

In this film, shots from two voyages unfold in parallel. First, 8mm images made at the beginning of the seventies by an unknown traveler: this 20-minute film was found at a flea market. A handwritten text described an itinerary, while the boxes indicated the years 1973 and 1975. These shots, left as they are, punctuate super8 images filmed by me during two recent trips, in 2008 and 2010, organized in the sequence with respect to the itinerary that I had followed. The soundtrack for my images comes from the ambient sounds recorded on location as well as from online sharing sites, while the older images have been left silent. It is a film of snapshots revealed and developed by a gaze, taken in a geography dreamed up by the author: not a travel journal but a travel film: a voyage to the interior of a signifier, a desire of a poetics of image and sound.

Tamás is trying to escape the meaninglessness of everyday small town life. He becomes an Indian and builds a hut by the forest. Although he later returns to the town to is mother, he remains an eccentric even there; a cowboy. Everybody pokes fun at him, only children regard him with respect. He finds a friend who also wants to become an Indian, but the boy is soon shut into an insane asylum.

Directed by Ram Loevy.

After suffering a broken heart, the chilling story behind the breakup slowly unfolds.

When a dying patient gives him a statue of an Indian god, the doctor John Schmidt thinks nothing of it. He barely gets home before mysterious things start happening. A knight’s armour comes to life, a servant gets ambushed, and Schmidt’s wife disappears without a trace! The secret Indian society is behind it and will do everything to get hold of the statue. (Stumfilm.dk)

The film is based myths of the ancient Peruvians, recreated Soviet ethnographers Yuri Beryozkin on drawings Indians Mochica. The action takes place 1,500 years ago. Legend tells of two brothers, demigods, brought the sacred frog. Growing up, the brothers went to the human world, giving them a lot of happiness and a refuge from the evil monsters. But one of the monsters Rikuay survived the battle with his brothers. He deceived his younger brother, went to his centipede, which led him to ally Rica - a witch, who asked his younger brother to give people a weapon that start killing people. Only the intervention of the gods, and his older brother saved people from total destruction

A white man who can't speak English, a black man who has no sense of rhythm, and an Indian man who dances in a sari. These three gaijin fakirs ignore the rules and common sense of the world and put on a crazy performance. They are the young people of the end of the century who live in the mood of "the world is going to be all right, it's only a paradise now". They walk to the Kinkakuji Temple, the place of the last banquet, with the unmistakable presence of Japanese young people behind their cheap make-up. Taking photos with junior high school students on a school trip and avoiding real gaijin, their hymn to youth comes to an end... A funny and ultimately sad "true story of stupid people".

The film is a continuation of the story of Tom Sawyer and his friends, the second part of the Romanian screenplay after the famous novel by Mark Twain. The three friends Tom, Huck and Becky continue their adventures full of puzzles and suspense.

An inventive use of slow-motion filming helps hammer home the gag as an unconvincing 'Indian chief' hopes to dissolve some trapped wind with a popular brand of indigestion powder.

A young woman researches the hidden story of Indian soldiers who came to fight in France and Belgium during the World War I. The presence of these 140,000 soldiers in Europe is a virtually unknown fact of history.

Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.