After being hit in the head, a man wakes up in 1927 to discover that he’s the spitting image of a famous bandit — and decides to make the most of it.

Francesco, nicknamed 'Toscano', is a very good pool player but he never wins when he plays for money. He meets Chiara, a saxophone player, on a late night bus by swapping his case containing the cue with her one, containing the sax. The two fall in love, but in the meantime Francesco loses a big amount of money playing versus 'Scuro', the long-time Italian champion. His only chance to pay the debt is to win the Italian Championships.

Tahar returns from exile and informs his sons (Issam) and (Omar) of the secret of his burial for a bag full of gold and jewelry in the garden of the villa that he owned before his exile.

A veteran bowling hustler tries to teach a young hotshot the finer points of playing the game for money.

French novelist Vincent Ravalec made his directorial debut with this French drama about small-time crook Gaston (Yvan Attal) who poses as a millionaire after he picks up hitchhiking 16-year-old Marie-Pierre (Virginie Lanoue). Actually living in a seedy apartment, Gaston deals in stolen goods, but he soon climbs to bigger heists, including car thefts. Concealing his illegal activities, Gaston operates his company, Extramill, out of upscale, posh offices, while he and Marie-Pierre move into a sedate upper-middle-class neighborhood. Life is sweet, but the onset of paranoia, kinky sex activities, and police probes eventually culminate in violence.

A young yakuza hitman named Goro does a job and needs to hideout away from Tokyo for a while. He hangs out with loose women and hard men and always manages to stay one step ahead of the law. In his exile, he comes under suspicion for a murder and meets the girlfriend of the murdered man. They develop a strange bond while unbeknown to Goro, another hitman is after him for the job he did in Tokyo.

A slick promoter in the bodybuilding subculture of Venice Beach, California, finds what he considers a diamond in the rough: a dedicated but somewhat mentally challenged young man who wants to win bodybuilding championships, but needs some help and direction--and the promoter thinks he's just the one to do it.

Metin is a small time hustler in a Stockholm suburb, filled with big dreams but bogged down by the circular world of street crime. Things change when his secret diary becomes a hot item for a posh book publisher, and Metin must decide if he's really up to the challenge that is leaving his criminal life behind.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

World War II: Allied Command learns that in 60 days three Japanese generals and an admiral party at a bordello on a tiny Philippine island. It's fortified and hard to attack, so a creative, cynical major gets the assignment to figure something else. With the help of Paco, a Filipino guerrilla leader, the major devises a plan to put four women assassins among the prostitutes. He must recruit and train them, convince his general that an unarmed woman can best a man, and get them on the island. The rest is up to them. An imprisoned killer, a nurse with a fatal disease, a chippie on the lamb from the mob, and a Filipina whom the Japanese assaulted are his team. Can they do it?

Shaw production

A young man prostitutes himself near the Bois de Boulogne (16th). A motorist stops; the young man rides and protects his client. Produced by Lesbian and Gay Pride Films, this film is part of a program of ten short films from a screenwriting competition launched in October 1995 on the theme of homosexuality in the time of AIDS.

A Shaw Brothers production.