The animals decide they must send a representative after the three wise men begin following the star of Bethlehem. Uno, the Lion, arrogantly decides he should be the one to go, and that he does not need any help. Feathers, who brought Jesus's birth to the attention of the animals, insists on traveling with him, and soon he is followed by a beaver, a rabbit, and a turtle.

Alazar, a simple farmer who is also a beekeeper, meets the Three Wise Men Caspar, Melchior and Balthazar, who have set off to celebrate the arrival on earth of the Messiah. Alazar's magic bees become magically transformed into the tail of the bright comet which leads the four of them to the manger. At first, the brave young farmer's son is on the point of leaving the Wise Men to their fate because he has been forced against his will by their magic powers to leave his pregnant wife Izirah behind. He only very reluctantly agrees to the Kings' request to accompany them. Although the Three Wise Men make it very clear to him how important the Messiah's arrival on earth is, the relationship between the four men remains very tense. Nevertheless, despite all disagreements, our travelling companions soon become firm friends -and after several exciting adventures they finally succeed in locating the manger. The Three Kings then allow Alazar to return home to his loving wife.

The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)

Three wise kings follow a star to Bethlehem to visit a new born baby. A fourth king Mazzel, also made the journey. This is the of Mazzel and his camel Chamberlin.

The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.