Six eager students strike out to explore and record live footage of supernatural activity at an abandoned plantation, but one unsettled spirit gives them more than they asked for.

Fifth and final entry in this softcore spoof series follows Bare Wench 1-3 and the greatest hits release Bare Wench: Uncensored (2003), which was nothing but clips from the first three. This finally made its belated DVD debut in 2015 under the new title The Bare Wench Project 5: The Final Insult.

A-ko and B-ko are fighting as usual, as C-ko watches from the sidelines feeling neglected by both. Ayumi-sensei has been behaving strangely lately. She's wearing a heart-shaped crystal with a hexagram inside, and is chanting mysterious prayers in private. At the ruins of an ancient civilization, an archaeologist spies a hexagram among the hieroglyphics. Deep in outer space, an alien fleet is on a course for Earth, and its flagship bears the same hexagram shape.

Three desperate film students resort to extreme measures for a chance at fame in the low-budget Hong Kong indie Final Project, directed by young filmmaker Eric Lam. On his 23rd birthday, film student Kane (Vincent Luk) vowed that he must surpass Orson Welles, who directed Citizen Kane at age 26. However, try as he might, all his efforts have been in vain. Just as he is reaching a dead end, he learns that four famous local directors will be coming to his school. He recruits three classmates – aspiring internet celebrity Fai (Kitson Sham), Muay Thai practitioner Ma Yong (Lee Wan Fung) and clueless actress Queenie – to join his graduation film project, a REC-style pseudo-documentary about abducting and killing the directors. Kane, Fai and Ma Yong pose as staff to get to the directors, but things don't go as planned and the film soon spirals out of control.

Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.

Recorded live at the Hitomi Memorial Hall in Setagaya, Tokyo on May 27 to 28, 2018, the video was released on May 22, 2019 by Warner Music Japan