The story of the hunt for five-year-old April Jones who went missing outside her home in Machynlleth, and the challenges faced by the police trying to convict a local suspect.

On the night from September 26th to 27th, 2014, a group of students, from Ayotzinapa School, was chased, shot and dispersed to different locations of the city of Iguala, Guerrero. Six people died, one in coma and 43 are missing. The perpetrators were members of the local police that acted under direct watch of state and federal forces, as well as the Mexican Army.

Narrated by anthropologist Terry Turner, this illuminating documentary looks at the dramatic changes effecting central Brazil's Kayapo Indians as they adjust to the growing influence of modernity on their tribal culture. The confluence of the ancient and the contemporary in Kayapo daily life -- from hunting tortoises to protesting the building of a government dam to using modern electronics -- is a fascinating study in contrasts.

On the night of the 26-27 September 2014, a group of students and activists from the Rural Normal School of Ayotzinapa were attacked in the town of Iguala, Guerrero, Mexico. The students had commandeered buses to take them to a political protest in Mexico City. The attacks were committed by local police in collusion with criminal organisations and other branches of the Mexican security apparatus, including state and federal police and the military. Six people were murdered, 40 wounded, and 43 students were forcibly disappeared.

Explore the mysterious case of a 21-year-old nursing student who vanished 13 years ago without a trace, and the social media frenzy it sparked.

The story of this film is about Morteza Hosseini who is a documentary filmmaker than in 2007 goes into a coma because of an accident on a road and his wife Maryam Sharifi disappears. He, along with his friends Majid Shokri and Yaser Jafari were making a documentary film about aliens and Morteza being in a coma is the beginning of their nightmare.

One year after her vanishing, why are there still so many unanswered questions about Nicola Bulley's disappearance? This documentary looks at the notorious case, delving into questions that never got answered, with testimony from those who lived through the tragedy.

From 1937 to 1948 gold, silver, platinum and diamonds were looted by the Imperial Japanese Army during its campaigns throughout Asia-a treasure trove worth billions whose location has remained unclear until today. Rumor had it that hundreds of tones of gold were buried in the Philippines. In an exciting investigation of the 20th century history, director Egmont R. Koch embarks on the trail of Japan’s stolen gold, a journey that takes him to the Philippines, Hong Kong and Japan. He discovers documents that prove that the disappeared loot was used to finance the Cold War in Asia and to corrupt nationalist Japanese politicians.

When the Doves Disappeared follows an Estonian family during and after World War II.

Fed up with his quarreling middle class parents, thirteen-year-old Jonas runs away from home. He seeks his freedom in the woods, where he befriends a girl his own age and a drunken ex-pilot, who offers him some warmth and understanding.

In 1997, Tom R. left his usual bistro and disappeared without a trace. 23 years later, a film crew embarks on an eventful journey to find out what really happened that day. A little gem full of humor, in tribute to detective films. An amused reflection on cinema and its ability to investigate our world. - Rebecca De Pas

Short film based on the idea of what it would be possible to see the earth from a distance so that allowed us to see their past, see the dinosaurs, Romans, our grandparents.

A man searches for answers about his daughter's mysterious disappearance from Aruba in 2005.

Sorin is very passionate about dinosaurs. At only 8 years old, an unknown object, found in his parents' bedroom, doesn't arouse his questions, but only his desire to play. Other questions arise when the teacher calls the parents to the school.

The Day I Disappeared is a film essay based on the personal story of the filmmaker, who fled from Iran and travelled through what was a completely new and unknown world for her: Europe. It is also an effort to shed light on an internal process of alienation, an individualisation of the term 'refugee' or 'asylum-seeker'. The unconventional narrative uses the patterns of Persian poetry, with visual metaphors and rhymes and rhythms between the scenes. A lot of the material is found 16mm and 8mm footage that mirrors the director's memories of her own trip through Europe more than twenty years ago. The images of the main character’s dance also reflect on the alienation of the individual. The combination of all these creative approaches evokes a special world between reality and fairytale.

The first part is like a postcard from a realm almost too surreal to be true, a study of daily life in the demilitarised zone between North and South Korea flecked with such unusual details that not all of them can be real. The second part manipulates time, a wordless portrait of clay vessels being produced in Morocco that slows down and speeds up without warning, imbuing unspectacular actions with detachment and wonder. The third part distorts space, a hand camera tour that moves through apparently connected locations as if carrying out a single movement, although these industrial facilities, cityscapes, meadows and exhibition spaces are not side by side but scattered across the globe.

People call those who haul camels to and from desert areas and take camel transportation as their profession camel caravans. However, with the development of modern transportation, the camel's transportation function in the desert has gradually disappeared, and the camel caravans have faded out of the historical stage. The documentary tells the story of the last generation of camel caravans in Minqin County, Gansu Province.

I still remember that on the evening of the thirtieth year of that year, when I was 13 years old, I carried a lantern and followed my grandma to pay New Year greetings to a few elderly people. They were very kind to me, giving me New Year's money and peeling oranges to eat. I tore a window grille cut by a grandma. At this time, an uncle in a military coat came in and took away the mahjong, alcohol and cigarettes. Watching him take things away, the elderly in the nursing home were silent. At this time, the fireworks outside was in full bloom, and the new year was approaching. 　　This film is one of the top 30 works of "Cui Yongyuan New Directors Project"