The Damnation of Harvey McHugh is a television miniseries made by the Australian Broadcasting Corporation. The series consists of 12 episodes and was first broadcast on the ABC in 1994.

U.S. federal agent Leon S. Kennedy sneaks into the "East Slavic Republic" to verify rumors that Bio-Organic Weapons (BOWs) are being used in the country's civil war, which the U.S. and Russia are making preparations to jointly intervene in. Right after his infiltration, the U.S. government orders him to leave immediately. Determined to uncover the truth, Leon ignores the order and enters the battlefield to end the chain of tragedies caused by the BOWs.

A samurai's path leads him to a young waitress whose hometown was destroyed by a dragon. He doesn't want any trouble — but it finds them anyway.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

"What hast thou done? Listen, the voice of thy brother's blood crieth unto Me from the ground." Two farmers love the same woman, who can choose only one of them. The rejected suitor takes revenge, and causes the fatal accident of his rival.

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.

The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.

The DNA of Damnation is a documentary short on the making of the 2012 film, Resident Evil: Damnation.

Jang Choon-dong is a traffic officer who aspires to become a homicide detective. He is assigned to go undercover to infiltrate a gangster network. Meanwhile, Lee Joong-dae, a member of Kwang-seob's gang, goes undercover himself by joining the police force. Joong-dae tries hard to gain favor with his squad leader in an effort to expose Choon-dong's identity.

Terry Gilliam, one of the world's most vivid creative minds, brings his unique directorial style to the opera stage for the first time. This vibrant staging of Hector Berlioz's The Damnation of Faust, conducted by Edward Gardner, stars Peter Hoare, Christopher Purves and Christine Rice.

Studio documentary about "Deliverance" and "Damnation" albums that were recorded at the same time.

A sorority mixer at a local bowling alley goes terribly wrong when the five women who own the building turn out to not be what they seem.

a short documentary highlighting the tension & duality of Montell Fish.

The German legend of a scholar's unholy pact with the Devil would have been very familiar to most moviegoers (at least European ones), so Georges Méliès' early cinematic treatment likely got away with simply offering a fancifully illustrated late episode without the earlier narrative context (however, spoken narration provides some of the latter in this restored print). Tempted by Mephistopheles with all kinds of dancing and ethereal babes, Faust is at first excited and then terrified by the sight of various demons and monsters. The painted-set designers really went hog wild on this one, depicting the (sometimes sexy) torments of subterranean Hell with in bold terms (even when ballerinas prance in the foreground). (Dennis Harvey, Fandor)