Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and memories, a dialogue was born between two generations of black artists, Ruth and the director.

A church organ, a family, harmony and faith. David's sisters suddenly convert to Catholicism and he tries to grasp what is behind this personal transformation mechanism.

Philosopher Uldis Tirons in conversation with Victor Kossakovsky (no other participants).

The film portrait recounts the social and political repression of homosexuals in post-war Germany based on an interview with 95-year-old Erich Haas, who worked as a receptionist in hotels in Munich after the Second World War.

Conversation brings and changes the memory. Sometimes, it is a procedure that concludes upon certain memory. In this context, the way of conversation becomes methodology and theme at the same time. The process of conversation keeps repeating, and it is performed the way of conversation by using traces made during the repeating process, such as film, sound, and motion of choreographer. (Lee Jangwook)

In this film, residents, workers in the metallurgical industry, peasants and Mapuches, talk about their expectations and their criticisms of the revolutionary process, reflecting in their comments and opinions the tensions that the country was suffering at this historical moment, a few months before the dramatic events of September 11, 1973.

This documentary explores the mystery surrounding the death of movie icon Marilyn Monroe through previously unheard interviews with her inner circle.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

The last documentary in this paranormal trilogy, follows filmmaker Dan T. Hall as he and his team of investigators continue to seek out communication with the souls of Indiana's departed. Visit haunted houses in Veedersburg and Valparaiso where past residents intrude on the lives of the current owners; tread the grounds of Witches Castle in Utica; hear the voices of souls still incarcerated in the old Benton County Jail; peek inside Fowler City Theater with a ghostly prankster on the prowl; and witness proof of unrest and moving objects at Drena's Bar & Grill in Hobart. Welcome back to the domain of the dead.

This documentary paints a fascinating portrait of Peter Whitehead, whose largely obscure yet important body of cinematic work from the 1960s and '70s includes The Fall (1969), a film that tracks the era's social and political unrest. After chronicling the frenetic lives of counterculture icons such as the Rolling Stones and Allen Ginsberg, Whitehead set his camera aside, quietly living out his life as a potter, writer and falconer.

A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.