After receiving an anonymous letter, Marie develops an epistolary relationship with the sender who mysteriously can see everything she does.

A fine magician of the Royal Court materialises an elegant attire from a transparent glass container, and then, a refined dandy appears, as an ornate palanquin is summoned. Now, what does the illusionist have in mind?

The murder of an innocent, happy couple leads to a courtroom trial that would sentence the killer to death, but who really did it?

A man finds a ghost sitting in a chair that never moves, and opens up a ghost tourism business for the wealthy. But terrifying occurrences haunt the observers as they uncover the mystery behind the woman in the chair.

Andrzej is a quiet and secretive chair tester with incredible power that helps him in his work work in a small factory. He secretly has a crush on the secretary, and his life is being made difficult by the chief chair designer. The situation changes when the plant is to produce a new model of the chair.

I was on a ship – this sounds like a novel: I had just embarked for Venezuela on June 2, 1967 as the Shah of Iran was arriving in West Berlin. There were protests, a student was shot, and a new form of opposition movement came into existence. The idea for this film came to me while I was still aboard the ship. The film is structured like a commercial. The film takes a metaphor literally: words can become weapons. However, it also shows that these weapons are made of paper. The weapon spoiled everything for the Shah and his wife, they are wearing paper bags on their heads with faces drawn on them – the kind of bags worn by Iranian students during demonstrations to hide their identity from the Savak, the Iranian Secret Service. When I showed this film to the audiences in the late 60s, it was highly praised. I think people understood then that over obviousness is also a form of irony. This capacity was lost a few years later. I think it's coming back today. –HF

A father and daughter invent a teleportation device designed to ultimately replace all other forms of transport on Earth. During one of the tests, the daughter disappears and fails to arrive at the receiving device. The father desperately tries to recover her with devastating consequences. A shocking mind-boggling twist in the tale of a story with many layers to excite, horrify, and explore the power of human love.

Interesting conceptual film where people of various ages and professions are asked to sit on a chair for 15 minutes with nothing to do. We see how bored and uneasy modern people start to feel when wasting time.

Kerim and Rena were in love, but had to marry other people. Despite the passing of time, their love is now prohibited and dangerous in the society they live in. They see each other every week on a hill where the villagers go to use their mobile phones, but they cannot express their feelings. They can only express their love secretly, through lights flashing in the dark of night.

A story about the fight for power told with the help of simple graphics. The huge building, the huge column hall, one chair around the chairman's board table is empty. We observe the fight for that chair: little men run and fight, all tricks are allowed.

A student from an unruly class is forced to fill the empty seat which was kept empty due superstitious reasons. Strange events begin to happen to the students and teacher of the class.

The humble chairlift is often over-looked, but it could be the single greatest invention in the history of modern skiing. A celebration of the under-appreciated device that brings skiers together, The Chairlift shares stories of connections forged while passing the time back to the top of the slopes. An ode to the creation that enabled a sport and acts as a central pillar of ski culture.

"The Chair" comes from an idea I had when I was little. I went outside to collect a lot of discarded cables and stealthily pulled out Mercedes-Benz badge from a Benz car. Later, I went home and put the chair upside down, decorating it with cables and the badge. I sat in the chair for a whole night. At that moment I believed that I had made a time machine. The event has been hovering around my mind for a long time. The desire of being an artist perfectly motivates me to do this work again. The chair may be a real time machine. At least through the process of reproduction, it connects my childhood and the present. By means of being positioned as an art work, the trip from my studio to the gallery literally becomes my time travel in reality. In this work, I am always interested in the part of A-side. In fact, it is the making of C-side, which comprises barren routine and unnecessary events. I want this kind of boring video.

"Two weather worn red vinyl chairs on an outdoor promontory oriented toward a "view", stand as subjects and witnesses. The chairs themselves provide openings or internal views, into color fields, their standard issue "natural textures" upholstery, oval screens for the light projected through wind swept tree leaves." -VG

Summering with his mother in his grandma’s small village, five-year-old Giulio spends time in front of the house while the other children play in town in the alleys. Jokingly mistaking the daily behavior of an elderly neighbor, Giulio decides to imitate him, leading him to make unexpected new discoveries and friends.

A young man is judged for betraying his fellow inmates in a plot to kill dictator Rafael Leonidas Trujillo.

The stories of a newly retired editor and the antique chair he purchased.

Four people decide to travel to Hunza, Pakistan to find paradise. Kentaro Tooma works as head of sales for a camera company. One of his clients is Jujo Togashi who owns the shop Camera Togashi. The two men are friends and become captivated by a picture with only a chair sitting in a field of grass. Kentaro and Jujo know of a 4-year-old boy Keisuke through Kentaro's eldest daughter. 4-year-old Keisuke is traumatized from being abused by his mother. Kishiko Shinohara is the owner of an antique shop. Kentaro Tooma has feelings for her.

In almost every summer terrace one can find, stacked up or around a table, those very light white plastic chairs. This is a film essay, directed by a collective of Mexican architects, around this famous monobloc chair

A short horror film based on the Italian Giallo films of the 70's & 80's. A young house-keeper of a elderly man in a rocking chair becomes involved in a murderous rampage in an isolated farm house. She will soon reveal the true secret of what is really happening. Dedicated and inspired by the films of: Dario Argento, Lucio Fulci, and Mario Bava.