The 7th Super Giant film. Super Giant battles a marauding alien brain-like creature created by a mad scientist and an alien army. (stand-alone episode)

One night Malena and Pablo, a sister and brother traveling together in Argentina, discover a diary that details crimes committed twenty years ago.

Gekidan Hitori, First Summer Uika and DJ Matsunaga of Creepy Nuts host a variety show, interviewing ordinary people too weird and interesting to ignore.

All is not what it seems as a seemingly perfect family searches for their sister in haunting French mystery.

An atmospheric and dreamy picture poem from Argentina's vast La Pampa region, where ancient stories of spirits are evoked in dark and evocative images between reality and the beyond.

Charles Fouquet, the Minister of Family Affairs, is having a hard time. His wife Olympe, although not that young, is expecting a baby. His daughter Annie, as for her, is pregnant by her fiance. And let's not forget Georges, Fouquet's son, who has seduced Natacha, his close (too close!) collaborator. As if that were not enough, a former mistress of Charles' comes and reveals to him the existence of a son he knew nothing about. But Charles is a man of action and he is not so easily deterred: he WILL take action against this abundance of offspring.

A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.

A short film made exclusively for Toho's Online Godzilla Fest 2020. Godzilla rampages through the city before approaching a reporter standing in the street.

The sexual misunderstandings caused by the real identity of a rich woman serve Hermosillo to satirize the moral and social hypocrisy of the provincial that every Mexican carries inside.

A large, dinosaur-like monster has risen from Tokyo Bay and attacked the city. As the government collapses into chaos, the people of a rural town in Fukui Prefecture, from whose perspective we see the entire movie, watch as the events unfold on TV. Some decide to run for their lives, some take it as a sign of the apocalypse, some go completely crazy, but most of the townspeople wait and watch, and wonder where the monster will head next.

Korean movie.

Jewel thieves become interested in an invisibility formula invented by Professor Nakazato and want to use his invention to acquire a diamond necklace called the "Tears of Amour."

The story follows the struggles of Arturo, a cab driver who has to find $2000 within 24 hours; his older son, Ramiro, who left home four years ago, has just phoned from Houston asking for urgent help. However, Arturo's wife Irene keeps their savings away from Arturo's reach.

Aoi Niwa of ○○ University, who won the Grand Prix with an outstanding smile consisting of entertainer-class looks, appeared in a shocking semi-nude work! ! She exposed everything in front of the camera. stay tuned!

Evil scientist Dr. Mashirito appears! In order to achieve his ambitions of world domination, he assaults Penguin Village with Mechankotsuoi Robo Caramelman No. 1. In the second half, the annual big race is held. The winning prize is 9000 yen. Influential players such as Arale, Senbei, and Mashirito arrive at the starting line for the prize money.

A short film produced by Toho Eizo Bijutsu available exclusively at the Eiji Tsuburaya Museum in Sukagawa, Japan. It depicts Godzilla's rampage through the hometown of the legendary special effects director.

Among everything obscure in an image, there is always the camera. This Isn’t What It Appears reconstructs and radicalizes the ways to see and interpret archival photographs of Korean women taken in the 1950s by American soldiers stationed in South Korea. This film attempts to reveal the camera within the frame, not as an omniscient eye but as a reciprocal medium that subverts the hierarchy in an image.

A short reenactment of a scene from Goethe's Faust.