Koji Yamamura's allegory the immutability of time, love and devotion, and the unbreakable nature of the parent-child bond, into interlacing story.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

The film explores the idea of the moral dilemma a defence lawyer faces in his profession when all his values and truths are questioned, his life’s facts are brought into question and his entire psyche comes crashing down.

A man traverses his memory to find someone that he once knew.

A film based on the biography of the famous Russian balalaika player Vasili Vasilevich Andreev (1867-1918), a self-taught virtuoso musician, who brought balalaika to the concert stage.

Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have resurfaced. But all of Malik's problems seem to fade away when he falls for Bilal, the dreamy houseboy at his mother's bourgeois estate.

A parable about the fragility of relationships. Love is sought, found, tested, lost...

In BBC sitcom No Strings mismatched Leonara (Rita Tushingham) and Derek (Keith Barron) share a flat. This early Carla Lane series began life as a Comedy Playhouse entry. Guest stars included Michael Staniforth, Jessica Benton, Robert Gillespie and Tommy Godfrey. Cast: Rita Tushingham as Leonora; Keith Barron as Derek Writer: Carla Lane / Producer: John Howard Davies UK / BBC One / 7×30 minute episodes / Pilot: 16 April 1974 Season: 4 October – 8 November 1974 Fridays at 7.45pm

Tithit meets Gandaomanee Girinisuan in Phrajoit and falls in love with her. Unbeknownst to Thit, Gandaomanee is using her elder twin sister's name, Gandaowasee, for herself, therefore tricking him into thinking her real name is Gandaowasee. She later leaves him when she grows tired of him and finds out that he's the poor son of a merchant. Thit is heart-broken and tries searching for her unsuccessfully. One year later, Thit meets the real Gandaowasee Kitrinisuan at a banquet and is ecstatic upon seeing her. But Gan claims she doesn't know him. Thit is confused and confronts Gan about their relationship. He assumes she doesn't want to remember him because he's poor, therefore denying ever knowing him.

Four string players come together to rehearse for a string quartet concert, but it’s not a smooth ride as each has different backgrounds and motivations and the rehearsals are full of conflict. So how can these four people achieve the harmony and synergy required to create beautiful music? Maybe a surprising quirk of fate will help them unite in time for the concert.

Andon, a young violinist, is seriously studying for the admission competition at the Academy of Fine Arts. Cosmai, the father, thinks his son cannot win the competition without a bit of external help. He mobilizes all his friends and relatives so that his son can be sure to win. Muco, the chairman of the commission, is incapable of judging clearly and bored from all the interventions pours the anger on the young talented violinist.

Experimental feature film

Hell hath no fury like Léontine with a piece of string! Our favorite mutinous miscreant returns with her weapon of choice, “pulling the strings” as she baits greedy bystanders to snatch at the tempting objects that ever elude their grasps. Léontine is an evil puppet-master who preys on consumer capitalism’s vicious loop between wanting and having. Her angry victims form a vengeful mob and chase after her, but she trips them with string and then rides off into the woods. Real violence is averted by a clever substitution trick and Léontine celebrates with her iconic victory dance.

Throughout the streets of Huelva, a man with his guitar has been disambiguating for years, day and night he goes out into the streets to make a living asking for money in bars and terraces. His guitar almost never has the six strings, his hands are dirty, his mind long ago could not stand the life that he had to live, and he continues as he can stuck to that guitar with which he expresses himself continuously, indefatigable. That vagabond, an omnipresent street artist, is the "Niño Miguel", considered by many to be the best guitarist in the history of flamenco, a genius who revolutionized the guitar with only two records in the 70s, a source of inspiration for all other guitarists... a guitarist of guitarists, a living legend, a mystery, a misunderstood genius, excluded from society: The shadow of the strings.