A Burmese tiger trap, a pop-up steel wall, a motorcycle, and a box of Acme-brand leg-building vitamins can't help the Coyote (Eatibus anythingus) catch the Road Runner (Hot Rodicus supersonicus).

Two sisters submerge on a deep journey between reality, dreams and fantasy - an exploration of the female gender in horror films, delving into the issues of anxiety and the continued sensation of feeling someone is watching you.

Daughter has trouble holding onto boyfriends because of her critical mother until understanding father comes to her aid.

Moe, Larry and Curly appear in short subjects linked by ventriloquist Paul Winchell and his dummies.

Oil Can Harry, most malevolent and evil of all the villainous cats, has pretty Pearl Pureheart, cutest mouse of them all, in his grasping clutches, and ties her to the railroad tracks. But here comes Mighty Mouse to her rescue.

Stop Look and Listen is a 1967 sort comedy film written, directed by and starring Len Janson and Chuck Menville. It was mostly filmed in Griffith Park in pixilation [stop-motion photography].The film generates comedy by contrasting the safe and dangerous styles of two drivers who drive in the way made famous by Harold Lloyd: by sitting in the street and seeming to move their bodies as though they were automobiles. The film was nominated for an Oscar for Best Short Subject, Live Action.

In an official vehicle, driver Bekir, supervisor Selim and Çağrı Bey are the last to be inspected. they go towards the company. Bekir's charger is broken. From the Call without hitting Selim They ask the company they are going to ask for a charger. However, Selim hears this and gets angry with Bekir. He doesn't want to fall into a bribery position. While Selim and Çağrı are at the company, Bekir throws the broken charger in the trash. Selim sees him from the window. After the inspection, Selim and Çağrı return without a charger and say goodbye to Bekir. Bekir waits until they disappear, and after a while he gets out of the car to get the charger he had thrown away.

Quote to appreciate a rainy day.

Gladys and her daughter live on the periphery of New York City where they share their isolated lives together in their own little space in the same house, which is their whole world. Hidden in a city that also hides from them, a New York that grows smaller as the two of them stay within their own four walls where they only speak Caribbean Spanish together, and a few words in English they have managed to remember.