The seemingly random killings of an assassin puzzle her former lover, a wealthy Greek crime boss whose organization is jeopardized by his love for her, and the detective following her rising body count

A rich, jet-setting playboy has a secret life: he's also a professional Mafia hitman. When he decides it's time to retire from that life, he finds that his former employers don't like the idea that someone who knows so much about them won't be under their control anymore, and decide to send their own hitmen to eliminate him.

A year after the grisly murder of a local exotic dancer, the victim’s sister, Lyric, searches for the serial killer responsible as he stalks and kills his favorite dancers on the night of the anniversary.

Hasan is a taxi driver working the night shift. On the early-morning drive home, he sees a woman passing in high heels. Fascinated by her appearance, he does something that leads to disaster in a world where the boundaries of masculinity are clearly drawn.

A woman, Nadja, searches for her sister's murderer. This search goes through differing moments of reality, or unreality, that overlap within facets of a broken-up time sense. In this emulation of film noir, the investigative structure does not create suspense; the dialectic murderer/victim does not exist. The crime is fabricated bit by bit, like the staging of a spectacle, and it is in the traditional tools of seduction (the spiked heels) that the weapons will be hidden. Ultimately, the crime Nadja achieves makes her neither a triumphant heroine nor a victim.

Part of the footnotes series accompanying Price's SLOW DANS, investigating the history of the word stiletto.

A sadistic client follows a young stripper home after work, only to find out she was more than he bargained for.

Stiletto. The very word seduces. Pedestal of desire, ultimate symbol of feminine allure, this high-heeled pump is firmly entrenched in the popular imagination and in our lives.

A non-binary person encounters an elegant but reluctant woman. When she begins to fall for them, a memory brings all to a sudden pause.

Three girls in high school made a prank on the fourth girl and caused her to be expelled from the high school with her teacher. After 20 years they got together in a high society environment.

When a corpse drops from the top floor during a grand party, officer Rami questions all witnesses to find the murderer but uncovers a past filled with betrayal.

A real life in which success and crime, honor and betrayal, love and hate are entwined in a tight knot that only a Stiletto can cut…

Two undercover police officers must try to prevent a multi-million dollar nuclear arms deal among several mob factions.

Two men are found dead in a dumpster outside of a well known gay bar and their wounds suggest the actions of a trained killer. There are no witnesses and no evidence. Detective Alexis Morgan has a crazy theory. Could the disheveled drag-queen Dorothy be responsible?

A film that follows the journey of Marie Pizano, to finding a YES with Mind, Body and Soul. Interviews with medical experts to educate and inspire health.

For over 25 years, the legendary band Stevie Stiletto were punk rock stalwarts, yet never got the national recognition they deserved. After dozens of releases, thousands of shows, hundreds of brushes with the law, countless line-up changes and one terminally ill diagnosis, the band finally gets their due with this two-hour, in-depth documentary. Featuring interviews with members of the band (past and present), road crew, producers, family, friends and fans, My Life is Great covers the entirety of their storied career. Complete with live footage from the last three decades, this film is a document of a band that never got a break, never gave a damn, and never sold out.

No Stilettos was a short-lived BBC music series made by BBC Scotland in Glasgow, and presented by Scottish pop and folk musician Eddi Reader. The programme was broadcast in 1993 on BBC2 in the UK and featured a mix of musical guests with an emphasis on the alternative/independent music scene of the time. The programme was recorded in the Cottier Theatre, a converted church in Glasgow's west-end, and artists who featured included 'local' Scottish bands such as Teenage Fanclub and the BMX Bandits, to those from further afield such as Evan Dando of the Lemonheads and Pulp.