After a night out of partying and left behind by her friends, Ava wakes up and sneaks back home only to find that she's already safe in bed. But that's not Ava - it's someone who looks just like her. A time-traveling fugitive has stolen Ava's body, her identity, and her life. What's more -- she's not alone. There are others, hiding in the past, secretly living among us, plotting to alter the future. Without her body, Ava is a virtual ghost, silent and invisible to the world. And, so far as she knows, she's the only one who can stop them and put the timeline back on course.

In the future, an Ex-Soldier is placed in virtual exercises to cure his Post Traumatic Stress Disorder. In the simulations, he sees glimpses of a mysterious girl, presumably someone from his past. When a Stranger appears in his facility offering answers, the Soldier finds himself once again asked to kill, this time for her...

Challenging the superficiality and intelligibility of the image, Djamel Kerkar tries again to give a new complexity to the photography of an area marked by the suffering he has experienced.

A woman wakes up in medical isolation having no idea where she came from. Her circumstances are surrounded in a haunting mystery that is slowly revealed.

The original camera footage for STASIS is an 8-minute, 8:1 camera zoom. That footage was then printed with an equal but complimentary optical zoom resulting in an image of apparent stillness. Stasis is the image of the stillness in motion. Stasis counterpoints the movements of running water in a stream within a still-camera shot, with a steady zoom from without the filmed image (including subtle sprocket holes and frame lines) to a close-up within the image. “A zoom-out camera shot of a stream in Western Colorado is compensated for by a reverse zoom in rephotography. The tension between these movements creates a drama and a commentary on cinematic illusionism.” -Roberta Friedman. Preserved by the Academy Film Archive in 2009.

East Berlin, early 1980s: Ludger is hired by the Stasi to spy on the oppositional arts scene in Prenzlauer Berg. But when he falls in love with the mysterious Nathalie, he has to choose between a life as a celebrated underground poet and his career as a Stasi agent. A choice that will turn back on him 30 years later.