When the kooky tenants of an apartment block experience a sudden and shocking situation, they let their private lives, past secrets and crazy passions intervene as the confessions and absurd twists come thick and fast. Previous lovers, wild accusations, a possible murder and more boil to the surface days before New Year’s Eve, but can they even make it until then?

Isabel is a promising screenwriter who has dedicated her life to become a writer for a hit telenovela. When she finally gets her chance, her mentor Lauro Valente betrays her. At the premiere, Isabel decides to confront him and magically ends up in his telenovela as the main character. From the inside, she will be able to prove her creativity.

Desperately finding ways to support their sickly child, Noel and Liza welcome a new addition to their family, Ben, a rich foreigner who is hoping to build a family of his own. Together they play the game of deceit and make believe, but the truth is far from being hidden as the soap operas they consume daily that vividly mirror what they have been hiding all along.

An entire performance of The Kinks' Soap Opera stage show filmed (in black & white) by RCA Records during their 3 night run at the Beacon Theatre, New York City in May 1975. The film was given a brief theatrical run from July 1975 before being pulled.

Soap Opera, starring Baby Jane Holzer and Lester Persky, among Factory regulars, intercuts television commercials of its day with silent domestic scenes shot by Warhol.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

Villagers of Kovilj grow cattle on the Danube islands. Marko, an owner of ten horses, around twenty cows and other cattle is a good friend with a Roma named Kamer, who helps him sell the cattle at local fairs. Željko, a young horse breeder leads the villagers when they try to save the cattle in the spring of 2006 from the big flood. An attractive waitress Ana rivets attention of the young men from Kovilj. Life and work close to the Danube connect the Roma people and the locals, and together they show up at the village gatherings (birthdays, patron saint’s days). After unsuccessful emotional relationships, Ana and a couple of her friends decide to leave the village and seek happiness on the other bank of the Danube.

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

"Soap Opera of a Frozen Filmmaker" project is a series of seven episodes of cinematic diaries. It is the unique point of view of an anonymous artist whose entire essence of existence is to make films, but he is rejected on every front time after time. During the process he ponders his life as an artist, the nature of material society and life in general, in which his owm life eventually become a tragedy.

Ripley, the vampire, was frozen in the late eighteenth century, but has revived in modern times and becomes a successful businessman. At a ceremony to invoke Satan, Ripley learns that his revival has come with a price: in the next three days, he must kill three women in order to gain another year of life. Miranda's father, Davenant, arrives and tells her that she must marry the Earl of Marsden to secure a business deal.

Hoot Kloot and Fester arrives at San Francisco to bring Judge Sayabe (the hanging judge) back to Cactus Goat. Unfortunately for the judge, Hoot Kloot goofs up along the way and the judge gets blown up, run over by a train, and falls down the cliff. They eventually return to the Cactus Goat, with the judge making a certain sheriff his enemy. Last "Hoot Kloot" cartoon.

A documentary on the beginnings of the cultural revolution on the Lower East Side, New York.

Two teenage boys invest in making illegal soap until things go south and chaos wreaks havoc.

This is a feminist horror anthology, in which the beautiful bleach-blonde Stephanie Spencer fields a series of crude remarks from belching, T-shirt-wearing, pickup-driving character actors, then watches them die in grisly blood-spurting closeups after being visited by zombies, so that in the big final story of the video, she can dress up in black lingerie, tie her weenie boyfriend to the bed, and summon a demon into her body, if you know what I mean and I think you do. But the best story on the tape, "Too Much TV," stars Lisa Hatter as a girl who watches a slasher-movie host on cable all day, figuring out ways to kill her sarcastic mother Sonja Etzel, while we watch B-movie parodies like "Don't Go Into the Kitchen," "Bathroom Bullies," "Pretty Girl Floyd," "Nursing Home Revenge," and "Missouri Mop Massacre."

A baby is snatched from outside a launderette. The manageress and customers try to work out who was responsible.

Sherif el-Azma’s 52-minute video consists of improvised scenarios involving a cadre of stewardesses for a third-world airline. The first part of the video follows them through their training: the young women interrogate one another in varying tempo, learning how to be friendly yet reveal nothing about themselves. In the second part, two of the stewardesses work the first-class cabin of a turbulent flight. As the flight wears on, the refreshments run out, the real lapses into the fantastic and the stewardesses drift into strange and terrifying new spaces. The video’s evocative imagery—an older stewardess and her protégé walking in high heels through a desert—is at once comic and tragic and just slick enough to be uncanny. The simple sets are a deadpan foil for the absurd events that unfold within them. Samuel Beckett’s dramatic work comes immediately to mind.

Turkish soap operas have taken the world by storm, conquering the hearts of millions of viewers in the Middle East, North Africa, the Balkans and Asia. With unprecedented access to the industry’s most glamorous actors and creative talent, Kismet unravels the secrets of this phenomenal success that transcends religion and culture. From the lavish production sets of the most popular Turkish soap operas, the film travels to streets and homes in Cairo, Abu Dhabi, Istanbul, Athens, Sofia and Mostar, to discover how these taboo-breaking soaps are helping women across the region to claim their rights and transform their lives.