Framed and on the run, a former FBI agent must save his family from a blazing fire in the world's tallest building.

A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.

Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.

Blondy and Swede are gruff best friends who build skyscrapers. Blondy gets sweet on a girl he saves from a falling beam, Sally, but when he is injured in an accident and temporarily crippled, he rejects her. Swede tries every desperate measure to get Blondy to fight back, to try to walk, even masquerading as stealing Sally away from him.

An Adolfas Mekas directed short parodying Italian art films of the time. It was created for use in a scene of the Broadway musical, "Skyscraper," starring Julie Harris and Peter Marshall, with a book by Peter Stone, music by Jimmy Van Heusen and lyrics by Sammy Cahn.

Reminiscing about Shades six years on.

MTV ident, 1989.

Conan Edogawa is facing a dilemma: Ran Mouri has asked Shinichi Kudou out to the movies and he is unable to provide a convincing excuse not to go. However, when the day of the date arrives, he has more pressing problems to worry about—a great amount of plastic explosives has recently been stolen and the culprit has challenged Shinichi to find and dispose of the bombs he has scattered across the city. Now forced in a race against time, Conan must not only protect the city, but also figure out who the mastermind is and his reason for confronting Shinichi.

Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.

The first film appearence of The Golden Bat. Lost media.

Jon is 17. He lives in the midst of a claustrophobic world which once seemed destined to become a seething metropolis of high-rise tower blocks and intersections until one day an absurd traffic accident occurs. At the time, Jon was made responsible. He had just turned nine years of age. Ever since, Jon’s father has anxiously watched over Jon’s development. But then one day Jon’s desire is awakened by a girl and, all at once, his oppressive environment begins to change.

Death stalks a towering hotel under construction in Tokyo and love brings the guilty parties to a justice of their own choice. The motives are control of the hotel, blackmail and jealousy. The principals involved are two business partners, a political string puller and his son, lovers carrying on an illicit affair and a secretary turned blackmailer.

During a party a drunken guest falls from the terrace, killing himself. The police inspector in charge of the investigation suspects all the participants in turn, and mysterious stories come to light.

Through a first-person narrator, archival footage and photographs, and a contemporary camera, Pavel Lounguine uses the Moscow skyscraper where he grew up as a touchstone for looking back to Stalin and then examining today's Russia. This is Stalin's pyramid, his immortality. We visit people who have lived there for 50 years, see their flats (some modernized, others decaying), and listen to their histories: the son of a KGB man, a retired rocket scientist, a sculptor's son. an actor, seamstresses at a uniform shop, an ex-pat, and two artists. We see a kindergarten and remember marching; we watch parades and discuss surveillance. The commentary is wry: Putin emerges as Stalin's heir.

Armed with the motto 'It’s never too late', an ambitious Aamira tries to do the impossible by investing in talent and multiple ventures.

A Yi and A Bing are both working in the same company, living in the basement 4 of a luxury building with both business and residence attributes. A Yi went back to his hometown at Sichuan before Chinese New Year, so he could earn double wage for the Chinese New Year duty. The movie records the whole process of him back to home. His home is at a mountain, has elders and kids at home, has many trivial things waits him to settle. A Bing married when he is forty. After finish the marriage outside Beijing, he came back to company. He has no feel to his newly married wife, A Jiao. He still thinks of his ex-girlfriend who has cohabited with him for 3 years.

No overview found.

The starting point of the work is the idea of ​​making the structure of the image audible via the simultaneously exposed light tone, of generating sound and moving images using photographic processes, but without a film camera. The dramaturgical stipulations for this resulted from the photo images, taken evenly as a series of 5 from different perspectives, which resulted from different distances to the photographed object, edited and expanded with a copying technique that I have been continuously using numerous photographs since I was 16 and material collages. This collage of moving images and the experience and knowledge that I was able to derive from it became the cornerstone for my creative ideas.

Little by little two buildings rise in the sky; two billionaires helped by the most renowned architects in the world, both build his own skyscraper, always more luxurious and higher. But how high will they go?