Un refugio para el amor is a Mexican Spanish-language telenovela produced by Ignacio Sada Madero for Televisa. It is a remake of the Venezuelan telenovela La Zulianita, written by Delia Fiallo and adapted by Nora Alemán and Georgina Tinoco. Zuria Vega and Gabriel Soto star as the main protagonists, while Jessica Coch, Humberto Elizondo, Laura Flores and Frances Ondiviela star as the main antagonists.

Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.

Cha Soo-Hyuk is focused only on his survival, without any grand goals. He reunites with Lee Yoon-dae, who he was very close with. Yoon-Dae was living with his girlfriend but now has nowhere to go. They end up living together.

An American couple drift toward emptiness in postwar North Africa.

A look at the world of animal shelters and all the emotion-filled work that goes on there to save the lives of thousands of pets every year.

A family experiences strange circumstances while being faced with an apparent alien invasion. With their screens as their only source of information, ex-spouses must protect their children from an invisible enemy they don't even know exists.

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

A woman finds herself isolated in her remote home with her brother who is seeking forgiveness for the darkest moment in their family history.

In this Indian drama a young man must cope with a job he is not really suited for. Lakhinder captures exotic birds from the Bengal forests. He is to sell them in Calcutta. Unfortunately he cannot bear to see them caged and always sets them free. He does not earn a lot of money as a result. His wife is angry at him, and begins having an affair with the man who takes the birds to the market. Lakhinder's partner's daughter understands his relationship to the birds. They come to visit him in his lonely hut.

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

Anna and Mara return from a holiday abroad, and realize that Anis, a young Moroccan immigrant, managed to hide in their car in order to cross the border to Italy. At first unsure of what to do, they then decide to take him with them.

When Ukrainian filmmaker Anastasiia Bortuali is displaced to Iceland, she documents her fellow refugees, capturing their fragility and strength against a dramatic backdrop of northern lights and volcanic eruptions.

The relationship between the humans and animals at a large animal shelter in the Netherlands is one of extremes. On the one hand, this is a place for new opportunities, where both parties can find unconditional love. On the other, the problem cases lead to despair among their caregivers, who have to face the limitations of the system in which they work.

A young Corsican is obliged by a tradition of vendetta for his late father, to kill the uncle of a girl he loves, because that man was the murderer. His search for vengeance leads to being pursued by the police and a tragic fate.

The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato's usual themes of alienation and corrupted innocence than its brutal predecessor.

In 1935 two German geologists, Henno Martin and Hermann Korn, leave Nazi Germany for South-West Africa (Namibia) to conduct field research. At the outbreak of the Second World War, many male Germans living in South-West Africa are interned in local camps. As pacifists the two German scientists refuse to be arrested and flee into the Namib Desert. They live for over two years in the vastness of the desert like ancient bushmen under indescribable circumstances, facing the challenge to survive and, at the same time, the threat to be detected. On the radio they follow the war events in Europe. Their adventure comes to an end when Hermann Korn starts suffering seriously from malnutrition.

A meditation on elevators, hotel lobbies, hundred dollar bills, the bathroom, a cab, chandeliers, cocktails, the receptionist, arousal, and other routines in the life of a New York City callboy. Gorgeously hand-processed in full 16mm glory, All That Sheltering Emptiness explodes the typical narratives of desire, escape and intimacy to evoke something more honest.

Martin and Katharina’s marriage is at stake because their six-year-old son, Tobias, is autistic. They become friends with the young couple that moves in next door and Tobias starts to gradually open up. His parents are very happy. But soon Martin discovers that the young couple has their own reasons for wanting to be near Tobias: they have a horrible plan.