SEM TÍTULO (UNTITLED) talks about the hardships of making a documentary of a topic as complex as sexuality, which is to this day a taboo in the society, approaching it in a comical way showing the steps that went wrong during the process until the end. Later the documentary becomes something more complex, where the real characters are the group of filmmakers themselves.

Private and public spaces are explored in this feminist investigation into Portugal’s past and present histories

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

A tribute to Anna Karina (1940-2019).

An invitation to the abyss joined by the company of Antonin Artaud and Robert Walser, familiar and unknown - unheimlich. The mystery of memory and love beyond the soul; unexpected and strange agony; what formerly returns. Poetic lapses and bonds from a movie poem of found footage and a documentary essay, between an experimental Japanese movie (1926) and a North American industrial movie (2010).

Coleridge's flower in the garden of the paths that fork from Borges. Paper and film flowers; fossil flowers. "Panorama of all the flowers of speech" (Joyce), a "flower full of the real, of the current" (Wallace Stevens).

The sea taken by footages from XIX century (produced in 1891, 1895 ,1897 and 1900, in Brazil, United States, France and England) and listened from a song(in French, English, Spanish, Dutch and Italian). From the series “notes for a Self Biopic (in Regress)”.

Experimental Short, Brazil

A double love tribute: to the final film by Yasujiro Ozu (1903-1963) ‘An Autumn Afternoon’ or ‘Sanma no Aji’ (1962) and ‘A Rising Sun That Painted My Horizon' (2018). An archival re-appropriation cine-poem. A found footage haiku.