In 1952, four passionate bobsledders - Gamser, Franzl, Gustl and Leusl Peter prepare for the Winter Olympics in Oslo. There, the veteran Bavarian Gamser wants to finally put his archrival Dorfler in his place and show him his class. While the two men constantly get into your hair, the women Rosi and Anna try to calm things down. In Oslo, there is finally a big showdown, which will take place not only on a bobsled.

Joseph Komalschek was sentenced to 30 years in prison for cruelly murdering a young mother and her newborn baby. He never confessed his crimes and the bodies could not be found. After being released from prison, he returns to his hometown. People there treat him with distrust and disdain.

Schwere Augen will play very directly upon sight as a sense involving distance, choosing the gaze as its central motif. The eye is like a keyhole with a view to the subjects interior, to the complex and abysmal activities of the psyche. Schwere Augen does not intend to deliver an analytic expose, but rather attempts an aesthetic approach to the distant scopic sense. A declaration of love to the pleasure of looking - a small, romantic movie.

The film tells the story of a young woman trapped between her own desires and the expectations of the others.

Theo, the lead singer of a Nazi band, is about to play the most important concert of his career. But then he is involved in a serious car accident. The driver of the car is Mahmoud, who is about to be naturalized. Mahmoud panics and, fearing the possible consequences, commits a hit-and-run. In hospital, Theo is diagnosed with a particularly severe form of "foreign language accent syndrome"; he is suddenly only able to speak Arabic. Ironically, Mahmoud becomes his attending physician. Theo tries to blackmail Mahmoud into teaching him German. Otherwise, Theo threatens to report Mahmoud to the police, which would jeopardize his naturalization. Suddenly Theo's band turns up at the hospital and the situation spirals out of control. Translated with DeepL.com (free version)

Gambler Nathan Detroit has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson that Sky cannot get virtuous Sarah Brown out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan's longtime fiancée, Adelaide, wants him to go legit and marry her.

John and his girlfriend have vowed to marry once they save $30,000 for their dream house. But the minute they achieve their financial goal, John finds out his niece has been accepted at Harvard, and he's reminded of his promise to pay for her tuition (nearly $30,000). John's friend Duff convinces him to turn to petty crime to make the payment … but Duff's hare-brained schemes spin quickly out of control.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.