Simple and quiet moments in the life of an elderly Lebanese couple who are following the madness and chaos of the 2011 Egyptian revolution through their TV set.

The history of Bosnian cinematography over 75 years of existence.

A wild boar hunt, a taxidermist’s skill and the loyal reproduction of Etienne-Jules Marey’s chronophotographic gun, all these the premises for an intimate voyage. An interior voice questions images far off and close. It questions the confusion felt when faced with images. Those images “to part ways with “and those “to invent”. As if this invention could render a lost beauty. Not an exercise in nostalgia, but an unplanned incursion into a universe where all things untangle themselves.

Set in motion at the start is a game comprising fields and markings, present and past, visibility and invisibility. Fences—and ribbons, bleachers, a bit of forest, already divided into territories—refer to the inside and outside of the field, as does every image. The objects in the image and the use of the images blend once again when the members of a military history club appear to restage a battle of the red army against the Wehrmacht.

A couple separates after 8 years if marriage But they decide to keep living together to hide the decision from family and friends.

Three young optimistic filmmakers embark on a journey in the marginilized city of Salé, provoking several first time interactions and deep exchanges with the people of the city. The individuals evoke their personal life and experiences, delving into themes such as art, work, and suffering in the current societal landscape of the country. The group meet a struggling violin musician, a taxi driver, and a young rowboater, all of whom experienced failed hopes and aspirations for a different life.

"Scenes from modern life in a sequence shot" is a short film written and directed by Felipe M. Rolón This short tries to portray the relationship that exists among insignificant personal dramas and the accelerated rhythms of modern life

Short reportage

A rare film by the legendary filmmaker Mustafa Abu Ali, one of the founders of the Palestine Film Unit, the first filmic arm of the Palestinian revolution. Shot by a French news team, the footage was edited by Mustafa in Lebanon to produce one of the earliest films on the occupied territory in Gaza. Scenes of the Occupation from Gaza employs experimental editing tech- niques to produce a cinematically and politically subversive film. The film won the prize as best film at the Damascus Film Festival in 1973 and was screened at multiple festivals. It was the only film produced by the Palestine Cinema Group, which in 1974 became the Palestine Cinema Institute.

In order to participate in "International Day Against Violence to Women," in 2003, Eve Ensler pioneering feminist drama was adapted by teachers and students of the Sun Yat-sen University Gender Education Forum in Mainland China, adding an artistic interpretation of the gendered experiences of Chinese women. It was performed at the Guangdong Museum of Art. But in a country that talks publicly about sex changes, teachers and students encountered responses they could not have imagined. This film records what happened to these teachers and students following the performance of The Vagina Monologues.

“The Flowers of Passion: Stories from the Underground Japanese Idol Scene,” explores the underground Japanese idol scene in Tokyo, from a period starting in August of 2019, to January 2020. Derek has lived and worked in the underground idol scene for several years, and was given special permission by many idol groups and idol staff to document their lives and the work that they do to bring their creative visions to idol fans. The documentary is an in-depth, honest film series that seeks to answer, why, exactly do these girls become Japanese idols? And what does it mean to be a Japanese idol who performs in the underground club scene in Tokyo?

A wealthy Beverly Hills resident who has just become a widow, Clare Lipkin temporarily takes on her friend Lisabeth as a house guest. As the two women deal with their upper-class woes, Clare's driver, Frank, and Lisabeth's servant, Juan, make a wager to see who can be the first to seduce the other's boss.