Dr Prentice, a psychiatric doctor in a private clinic, is attempting to interview – and seduce – would-be secretary Geraldine. Unwittingly surprised by his wife, he hides the girl. The affairs multiply as Mrs Prentice is seduced and blackmailed by young bellhop Nicholas Beckett, and promises him the secretarial post. When a government inspector arrives, closely followed by Sergeant Match who is in search of missing parts of Winston Churchill, chaos, cross-dressing and mistaken identity lead the charge. This is The Curve Theatre's 2020 production of Joe Ortonm's play

The true story behind the most notorious horror film of all time, The Texas Chain Saw Massacre. Based on the non-fiction book by Gunnar Hansen, the original Leatherface.

Inspired by Derek Jarman’s Section 28 installation, the film compares stories from a recent history of the Romanian queer community with current personal experiences, linking them to lyrical observations about a still hidden present.

Three figures - man, woman, child - roam the grounds of a State Mental Hospital, a kind of hell on earth, looking for each other or for a supreme witness to their loneliness. A visual poem with voices off.

Cassandra discovers by accident the Bureau of Shadows, responsible for making, measuring and resizing our shadows while we are asleep, in this post-modern fairy tale.

Interview with The Texas Chain Saw Massacre's Editor J. Larry Carroll

An elegy in found footage for saw. Music performed by "Lutra."

An artistic short film directed by Stan Vanderbeek.

One woman's passion for the musical saw. 'The old time tradition of learning to play the musical saw was that you see someone play it then you try to figure it out on your own. If you succeed, you're meant to be a saw player.' THE SAW LADY is part of RHYTHM IN MOTION, a twenty part series of 3-5 minute slice-of-life video vignettes centered around the extraordinary subway musicians of NYC. The series is affiliated with MTA Arts For Transit and Urban Design and Music Under New York.

In this recently leaked government footage, we see the story of two young film students as they interview their friend Kyle Addair, an alien fanatic.

Exploring the critically endangered craft of handmaking saws, we follow the UK's only bespoke saw makers as they fight to keep the tradition alive.

In 2008 Co-Director Maile Martinez wrote an I Saw U ad for 'The Stranger', Seattle's alternative newspaper, about a barista she thought was cute. Two years later she has come back to explore the world of sex, lies, and classifieds.

A collection of experimental shorts by female directors curated by Rita Gonzalez and features the shorts Bathing the Baby by Semefo, Taxidermy by Eva Aridijis, I, Bear by Helen Mirra Self Dial by Caroline Koebel, Removed by Naomi Uman, Deep Creep by Kate Haug, and Hawi by Ximena Cuevas.

Two strangers connect over a shared love of music, even though they can't see one another.

All Linda wants to do is sleep but her dog Max won't stop barking. If only she knew what the dog saw…

Mourning the loss of her father, who committed suicide, Mackenzie starts having hallucinations of killing people. They seem so real that she's convinced she's been committing these crimes; however, she can find no evidence to support this. Is she losing her marbles, or is there something sinister at work around her?

Keisha Ceylon is a psychic. At least, that’s what she passes herself off as. Her real powers have more to do with separating troubled families from their money than actually seeing into the netherworld. When Keisha targets the family of the missing Ellie Garfield she becomes entangled in the dark secrets of Ellis’s husband Wendell Garfield and his daughter Melissa.

In the future, capital punishment has been abolished. Violent criminals are reprogrammed into unquestioning servants, their free will and ability to speak taken away. A young woman endures her punishment of servitude in a seemingly normal man's home, where she discovers dark secrets.