The beauty of the land cannot mask the brutality of a farm town. As harvest draws near, Betty confronts a terrifying new reality and will go to desperate lengths to save her family when they are threatened with being forced from their land.

A comedy about how the world of politics really works! Tsutomu is a secretary for a member of the Japanese Parliament. After the latter suffers a heart attack, his daughter Yumi is chosen to fill his place in the next election because she seems easy to control. However, her unpredictable behavior soon throws the campaign out of control.

In 2003 the year of Aomori Asian Games, Dae-woong, a former ice hockey player receives an offer to be a director of Korean national ice hockey team. Before he enjoys the moment, realizes it is a woman national team with bunch of losers; a figure skating player who wants to get married by becoming a national team, a former field hockey player, now a fat housewife, and an expelled short track skater. As an ace player, Ji-won, a former national team player of North Korea, joins the team. But they still have hope as only 5 teams participating this year. With the great victory of first match, they feel the medal is closer, yet Ji-won meets her sister left in North Korea alone as a next opponent...

The Imperial Valley represents one of California's most important regions of industrial agriculture. The system's run-off flows through pipes, pumps and canals leading to the Salton Sea, an artificial lake that is approaching ecological as well as economic disaster. Initially appearing as nothing more than spectacular documents of agricultural monocultures, the shots become increasingly abstract. Is this an actual or artificially simulated landscape? This ambiguity is precisely the point: The Imperial Valley is becoming the "Uncanny Valley", a place that is not yet or no longer natural and thereby appears eerie. Although manmade, it is not a place for people anymore, neither ontologically nor in reality. The post-apocalypse is not a matter of the future, we are already in the thick of it. (Claudia Slanar)