Remote Control is a TV game show that ran on MTV for five seasons from 1987 until 1990. It was MTV's first original non-musical program. New episodes were made for first-run syndication from 1989 until 1990 which were distributed by Viacom. Three contestants answered trivia questions on movies, music, and television, many of which were presented in skit format. The series was developed by producers Joe Davola and Michael Duggan, and directed by Dana Calderwood.

A video store clerk stumbles onto an alien plot to take over earth by brainwashing people with a bad '50s science fiction movie. He and his friends race to stop the aliens before the tapes can be distributed world-wide.

An eye-opening film about numbness in the age of social media. The diagnosis is alarming, but it is made with understated humour and energy by director David Borenstein, himself a screen zombie in digital rehab.

A first-generation migrant nurse is going through a journey of self-introspection. Once, she believed that with an authoritarian nature, she could keep her family close and united. In her quest to keep them close, she inadvertently ends up creating rifts. Now, she realizes that this is not only impacting her family but also affecting her personal health.

Teenage boy Tsog lives in the slums outside Ulan Bator. He sells milk from his neighbor to support his family, with whom he frequently quarrels. The flight of his imagination is Tsog's only solace— he spends hours drawing his hero, a young monk. After a fight with his parents Tsog takes off to the city, where he settles on the roof of an apartment building. From this new vantage point he spots a beautiful but troubled young woman inhabiting a nearby penthouse. Seeking to intertwine their fates— to bridge the gap between their social, economic, and spiritual conditions— Tsog steals a remote which he uses to control the young woman's television set.

A radio announcer gets caught up with a fake clairvoyant and his gang of thieves.

Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the conflict between Moli, the liquor smuggler, and Aggi, a night club owner who wants to be Iceland's first mafia boss.

The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels, the viewer sees Acconci and Kathy Dillon sitting alone in wooden boxes in different rooms, each facing a static camera. Although they can only see and hear each other on separate monitors, they attempt to interact and respond to one another directly, as if their communication were unmediated. Through language and gesture, Acconci tries to manipulate Dillon's actions from his box, as though by remote control.

An anonymous filmmaker returns from Paris to Tehran for the 2013 Iranian elections. She follows the television coverage with friends on the couch. They provide the images with ironic and sneering comments and thereby give the news material the critical dimension that is missing in the political campaigns. At the same time, criticism from the bank is also disappointing and desperate about the coming elections, with the violent repression of the demonstrations after the corrupt 2009 elections still in mind.

The movie follows Michael Rafter, a former war correspondent turned corporate security consultant, whose life is overturned when he receives a mysterious phone call from an unknown source.Intrigued by the caller’s intent, Rafter investigates and soon uncovers the threads of a global conspiracy, finding himself drawn into a fight for his life and pursued by the 212, a powerful shadow organization. Rafter soon discovers he has been targeted and framed as the notorious international assassin, Julian Irving. With his own identity erased, Rafter turns to the only person he can trust – his former lover, Tracy, who is also implicated in the conspiracy. On the run together, they must stay ahead of the 212, the CIA and a team of professional assassins, and unravel the mystery while trying to stay alive.

A sarcastic look at the content provided by television programs

Reality TV Documentary

A fragile Super 8 self-portait rediscovered on 35mm, made by a struggeling nineteen year old discontented with the pseudo-Brakhagean spectacle presented by her fellow students at the end of the 1970´s. I shot with a remote control and intercut magnetic striped passages of black to record my quandary. The paradoxical predicament of being both subject and object in myself resulted in a film that represents a perhaps obligatory phase of cinematic narcissism in the early work of an aspiring avant-garde filmmaker.

Remote Control Magic is the ultimate 70's channel surfing experience. Dante Fontana guides you on a journey of game shows, news broadcasts, TV shows, commercials, infomercials, PSA's, celebrity specials, made-for-TV movies, network promos, talk shows, dating shows, award shows, live parades, sporting broadcasts, variety shows. Yes, it's all from 70's television and it's all an everflowing fountain of bad haircuts, leisure suits, sexism, disco, supervans, and racial insensitivity. Includes 25 minutes of bonus features!

A remote control becomes sentient and starts messing with someone who just wants to watch TV.

Using found footage sourced from educational films in the Prelinger Archives, this work explores the subject of experimentation in human body and machine interfaces in the 20th century. The film edits together the different ways we have controlled our environment - through technology, magic and theatrical devices. As the world of communications brings people together, power still exists by pushing a button and pulling the puppet strings.

A series of miscellaneous film footage are put together, to represented, life as if watching it in front of a television screen with a remote control.

Remote Control War is a one hour documentary produced by Zoot Pictures. The documentary focuses on the rise of robotics in the military. It will be broadcast on CBC in Canada as part of the Doc Zone series, with a first air date of February 24, 2011. The production team shot in Europe, Israel and across North America, going from the Pentagon to production facilities and research laboratories to find the latest technology, trends and the issues that arise when robots are used to kill humans.

“A ‘baroque’ summary of film’s historic internal conflicts, chiefly those between narrative and metric/plastic montage; and between illusionist and graphic space.” – HF