The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend Claudine, a realistic and enterprising reporter, that he's thinking of proposing. Into the mix steps Carl Erickson, a charming Hollywood matinée idol in Paris briefly. He meets Paulette, sees her act (his box seat compliments of Philippe), and sets out to seduce her. The next two days bring talk, tears, separation, despair, surprises, and, perhaps, reconciliation as characters speak "exactly half the truth." It's a quadrille of changing partners.

Carl Herickson, a big American film star, unwillingly upsets a Parisian trio: a newspaper editor, his theater actress wife, and their fiery journalist best friend.

Though Godard got a little money from his family, he admitted that the money that went into Rivette’s film came from stealing and selling books from his grandfather Monod’s “Valérianum”. The film featured four actors: two women and two men, one of them Godard. According to Rivette, “It ran 40 minutes and nothing happens. It’s just four people sitting around a table, looking at each other. After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl.” (Richard Brody)

Three boys, Jura, Lenya and Jeanne, visit a village. They meet Tonya, a girl with good dancing skills, and bet to win her love. Tonya develops feelings for Lenya, which he later realises to be real.

The everyday life of Adriana, her husband and two kids runs with military precision, but the delicate family balance is upset by a pregnancy announcement.

Two middle-aged couples live in two-handed village huts: the Zvyagintsev's and the Arefyev's. Once the wives, tired of family life, decided to exchange husbands. Between old neighbors and good friends, a cheerful quadrille begins with a constant change of partners. Without wanting it, a lonely woman Makeyevna takes part in it for the last time, slowly dragging bricks from the Zvyagintsev's yard.

Ghulja is a city in the west of China, the Chinese and Uighurs live here, but few people know that only 80 years ago it was called the Russian Ghulja. Here the Russian people, who fled from Russia at that time, sought shelter in search of a better life. This is where bayans, accordions, harmonicas and sad Russian melodies came from in these places. How did the fate of the exiles, who endured all the hardships of the twentieth century, but preserved the faith, language and memory of their distant homeland for future generations.

People entering an arena on horseback.

The quadrille enter the arena with alguazils leading the paseíllo.

Output of the quadrille and the beginning of the race for three quarters.

A horse parade.

Irene, a young Hungarian becomes an elegant and brilliant Parisian for the love of a car racer. Her transformation earns her the heart of her beloved.

The action in Fantasias arabes centers on a parade of men on horseback moving down a street towards the camera.

In 1876 Philadelphia, two sisters vie for the affections of a Frenchman who's come to town to prepare the French pavilion for the Centennial exposition.

A moving saga focusing on the women in a family that spans three generations and almost 70 years of German history, from the Wilhelmine period through the end of WWII. This film shows that it takes a combination of hard work, political consciousness and family work in tandem to face the tragedies of war, economic hardship and death.