Pursuit is an American television anthology drama series which aired on CBS from October 1958 to January 1959.

Detective Breslin crosses paths with Calloway, a ruthless hacker desperate to find his wife, who has been kidnapped by a drug cartel. When Calloway escapes police custody, Breslin joins forces with a no-nonsense female cop to reclaim his prisoner. But is Calloway’s crime-boss father somehow involved in this explosive situation?

Exchanged gazes result in a day long chase on a beach.

What begins as a routine investigation quickly escalates into a heartstopping race to save millions from certain death in this taut and gripping thriller. Michael Crichton (Jurassic Park, ER) "makes an impressive directorial debut" (The Hollywood Reporter) in this deadly cat-and-mouse game in which the stakes couldn't be higher! When government agent Steven Graves (Ben Gazzara) investigates political extremist James Wright (E.G. Marshall), he uncovers a diabolical plot to blast lethal nerve gas into San Diego during the Republican Convention. What's worse, a computer hacker (Martin Sheen) has provided Wright with a psychological profile to help him outwit Graves. As Wright ingeniously eludes Graves, can Graves find a way to stop him before the ultimate nightmare begins?

"Mitch" Mitchell is an aviator who has been hired to take a child in a guardianship suit out of California into Mexico. He is accompanied by Maxine Rush, the secretary of the head of a private-detective agency who has been hired to care for the kid until the suit is over. (Overview written by Les Adams )

Pursuit is a modern take on Irish mythology, adapting the legend of Diarmuid and Gráinne and transforming it into a road movie and gangster thriller for a contemporary audience.

A woman is chased by an unseen entity.

This 8-minute short film is the culmination of 18 days of chasing storms across the central plains of the United States, including supercells, lightning, shelf clouds and a handful of tornadoes.

A mercenary is hired to hunt down a group of rebel soldiers in Africa.

When eclectic Diana sees by-the-book Lt. Cate, a motorcycle policewoman/Venus-on-the-half-Harley while stopping off at a coffee shop, inspiration strikes. Diana floors her Mini with the top down breaking several traffic laws in order to meet and spend a little more time with Lt. Cate in this lighthearted comedy that asks the question 'What if I never try?

A hitman struggles to take out a woman he’s been assigned to kill.

Images of sixteen men and women are shown, one by one, as they run on a conveyor belt against a black background. They appear to be in a complete void. The camera films the runners from all kinds of angles: sometimes from the front, from the knees up, then in profile or a focus on one of the limbs in close up. The heavy breathing of their exertions is audible. The tight close-ups of the limbs lend the moving body parts an almost abstract, mechanical character.

Victims' rights activist John Walsh and his son, Callahan, showcase time-sensitive, unsolved cases in desperate need of attention, mobilizing the public to engage in the pursuit of justice.

Just when everything seemed to go well for Ji An-Lei, a series of unfortunate events happens. Her promotion gets stolen by an outside hire, her boyfriend cheats on her, and she gets an unwanted roommate. When she discovers her new roommate had come all the way from Japan to win the love of his dream girl, who happens to be her boss' daughter and her ex's new girlfriend, she joins forces with him on an "Operation Fighting for Love."

The Noharas get caught between two rival clans when Himawari swallows a pretty bead that turns out to be a mysterious ball with hidden powers.

Hot Pursuit is a short-lived American television series starring Kerrie Keane and Eric Pierpoint, which aired from September 22 to December 28, 1984 on NBC. It was written and directed by executive producer Kenneth Johnson.

A struggling salesman takes custody of his son as he's poised to begin a life-changing professional career.

Six-hour documentary series focused on the President’s personal story and his vision for America, set against the backdrop of the country’s racial history. It traces his own search for identity and his role shaping a more inclusive American identity that has been under attack since he left office. Through the words of some of the people who knew him best, and through some of his sharpest critics, the film ultimately reveals the fallacy of America as a post-racial society, and confronts the work still needed to achieve a more perfect union as the work of a country, not just one man.