Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

Through interviews, archive footage and quotes from books and films by Pasolini, Laura Betti, friend, actress and collaborator of Pasolini, improvises as a director, making a feature film dreaming of Pier Paolo's words immersed in everything that has not involved him for a long time

A documentary on the life of the late filmmaker, released 20 years after his untimely murder.

The video film is the first on Pier Paolo Pasolini, poet and writer in which only the author appears and only his voice is heard: the reading of his verses alternates with interventions on poetry and life. There are very few films on Pasolini writer (those on Pasolini director are frequent) and very few readings of his poems, a lack that has been solved with very rare recordings on disk and radio.

The documentary focuses on some decisive encounters for Pasolini's intellectual parable with the great Oscars of Italian cinema: from Bernardo Bertolucci to Dante Ferretti, from Ennio Morricone to Danilo Donati.

The first years of Pier Paolo Pasolini in Rome, 1951-1954. His experience as a teacher in a school of a roman suburb, "la borgata", where he founded the characters and situations of his novels: "Ragazzi di vita" and "Una vita violenta". The movie is a mix of fictional documentary, shot in black and white, and the testimonies of Attilio Bertolucci, Vincenzo Cerami, Franco and Sergio Citti, Ennio De Concini and Paolo Volponi.

A biographical documentary on the life and death of Pier Paolo Pasolini.

Documentary about Italian movie director Pier Paolo Pasolini, with interviews with some of his actors and friends.

A sequence of unpublished photographs by Deborah Beer taken during the filming of the torture scenes on the set of "Salo, or the 120 Days of Sodom" is accompanied by the voice - recorded by Gideon Bachmann - of Pier Paolo Pasolini who directs the actors: a portrait of the director and his way of working that testifies its determined and passionate “filmmaking"

The turbulent life of Pasolini, filmmaker, writer. Of his many trials and political scandals in his troubled relationship with prostitutes in Rome through his relationship with Ninetto Davoli, the embodiment of life and gaiety form a striking contrast with the poet haunted by death.

A documentary that recounts the impressively lucid visions and gazes with which Pasolini described and experienced the lands from his Casarsa eastward, through Idria, the Grado lagoon and finally Istria. The border, understood as a physical, historical and geographic but also metaphorical limit, is an interesting key to recount Pasolini's life: a journey that allows us to tell some lesser-known sides of the life of a great intellectual of the last century, who with keen anticipation glimpsed profound truths about the cultural and social changes taking place.

Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.

Following the trip Pasolini made in 1959 along the entire coast of Italy as a reporter for the magazine Sucesso, they where located different places as possible scenarios for his death. Understanding cataloging as a tool that allows us to organize knowledge for recovery, this catalog offers the viewer the possibility of redemption of the rebellious individual or the questioning of our acceptance of the critical difference.