A documentary feature that focuses on the intimate and personal journeys of LGBTQ+ hate crime survivors, who by choosing to take their recovery public, inspire the survivor in all of us. Their stories take us to New York City, Denver and India to witness how intersectionality and speaking your truth can build a support community and even spark global change.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

A group of hard-up low level criminals are sent into a giant abandoned school building to fetch stolen goods for the local kingpin. Unfortunately for them, the building is inhabited by the unhinged caretaker Joe and his super strong man-child bodyguard Sunny. One by one the criminals are picked off in increasingly grotesque ways. Heads roll, blood splatters, and gore slops as Sunny tears through the gang like tissue paper. Who will survive and what will be left of them?

Alan Moore, the genius 2000 AD writer behind WATCHMEN, THE LEAGUE OF EXTRAORDINARY GENTLEMEN, FROM HELL, CONSTANTINE and V FOR VENDETTA invites you into his extraordinary world with a new motion picture experience. While several of Moore’s stories have become Hollywood blockbusters, he has never previously written specifically for the screen. Until now. Created with his close friend and internationally acclaimed photographer Mitch Jenkins, comes an interconnected trilogy of terror. ‘Act of Faith’ finds a young woman looking for the next step in sexual excitement and unfortunately finding it. ‘Jimmy’s End’ tails a serial philanderer down a dark alley into a very unusual club where the top-billed attraction is The Bare Brides and their Danse Macabre and ‘His Heavy Heart’ reveals the horrifying price paid for his adultery. Clown abuse, need we say Moore!

A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.

Ten years after Razorlight’s fast rise and infamous implosion, for the first time since he quit and the celebrated line-up split, drummer Andy Burrows has a major heart-to-heart with the band’s frontman and former best friend Johnny Borrell. What happened next, captured authentically as the contemporary narrative unfolds, surprises everyone…

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.