A young woman falls deeper into depression as she's being haunted by a dark companion.

A woman hesitantly rents an apartment to an eerie man who she soon realizes has a part in the solar eclipse that is taking place.

In a state between life and death, K. has a conversation with an unknown figure, where he recalls experiences and relationships throughout his life.

Luna decides not to commit suicide. Too drunk, meets Angel; they decide to flee together to a house in the forest that they saw on a postcard. What do they don't know is what will it cost them to get there.

In the beginning of everything there was nothing and nothing was everything. The beginning of life; first an egg and then a human. A being created with a glowing red core. Will it decide to shine in harmony with the light or succumb to the terror of darkness? It has awakened. Man and animal. Animal and man. Only one can live in his mind. Or will he be able to live with both in peace?

Penumbra consists of a series of continuous overlapping dissolves on a grid of white bathroom tiles, which are uniformly framed throughout the film.

After one final violent outburst against his landlord, Marcus Bowen's friends cut him off for good. This sends Marcus into a nightmare of his own design, where he must confront his inner demons. Literally.

When Dori's sister Fae returns from a recovery center, Dori begins to suspect someone is stalking her. But what's coming for them is an unimaginable terror not of this world.

A gritty prison scene between two rival inmates in a cell that could be more sinister then the inmates.

What does the past of a distant future look like? A distant future to which humankind will be driven by the forces of neoliberal capitalism, climate change, populism, and the pervasive intrusion of one’s private sphere through digital technology? Julian Rosefeldt’s film Penumbra is not a work of science fiction. Instead, it points to our current situation, albeit within a fictious framework that paves the way for a paradoxical enigma: who will we be when we are gone?

Short film by Marta Reis

An animal, representing all animals, on trial for crimes including “being disgusting,” in a dream-like confrontation between being and the law. Reflecting on the animal/human distinction, nature and second nature, continuity and collapse, Penumbra depicts a dream-like confrontation between being and the law.

In Penumbra, the second feature film by writer, producer and filmmaker Eduardo Villanueva Jiménez, an experienced old hunter shows his world within a rural Mexico lost in time: a place of suspense and mystery where he creates a fascinating and illusory world together with the spirits of the forest.

A little girl walks through a forest picking mushrooms. A crow with an empty nest keeps a sinister eye on her. What will happen when their paths cross?

Jacob Mclean, a young determined filmmaker and photographer, faces a sudden dip in life as he is haunted by a mysterious something from his past.

An elderly man, battling against reality and the illusions of his subconscious, struggles to put together the pieces of where he really is.

A person's greatest antagonist will always be time, because each night that ends is one less day we have left, and Daria must face the harsh reality that mortality is the only tangible thing we have, not only for herself but also for that little person who accompanies her.