Even if you kill a poet, a thousand songs will survive him. College students from a suburb of Aix-en-Provence attend the creation of an opera in Arabic, written by a Syrian poet in exile. Words that will resonate well beyond their schoolyard.

Everything is true: everything has happened and has been filmed as it was happening. A screenwriter at the top of his career, tired of his work and burdened by unescapable life choices, decides with an acquaintance to sail back to Rome from the small island where he spent last year's lockdown. During this journey, unexpected events overlap with a verbal outburst about his tangled life. A flow of words comes out, a naked and unabashed confession about cinema, the directors he has worked with, family, love, grief and his past. As unstoppable and digressive as a jazz solo.

Free adaptation of Camus' "Les muets".

“I approached Pierluigi Cappello when he became my bedside table companion. We didn’t know each other, but were already intimate. His poems are full of images, I might even have dreamt some. I didn’t know anything about his personal life, about the motorcycle accident when he was sixteen, and that he spent the rest of his life in a wheelchair. There’s no trace of it in the poems: in his verses Pierluigi runs, and sometimes he flies.”

Two men on a lonely island. Based on Beckett.

A rare 1992 Italian drama film.

Following a long investigation, Police Detective-Lieutenant Anthony "Tony" Roberts becomes convinced that there is some powerful unknown-master-mind leader behind the gangs of crooks who are terrorizing the city, and it has something to do with paroled convicts. He sets up a scheme with his supervisor to have himself shamed by being demoted to a patrolman and then caught in the act of receiving bribe-money from a racketeer. He is convicted and sent to prison, and the manner in which his parole is arranged leads him, dangerously, to the secret-head of the gang.

Extremely confident in her mastery of style and taking obvious delight in her citations, in PAROLE ROSETTE, Katrina Daschner uses the performance by a well-rehearsed group of queer couples to stage a controlled game around/about social conventions and (sexual) self-determination, interwoven into an architecturally sublime setting (the Carlo Mollino's Teatro Regio in Turin). - Barbara Reumüller

The comparison of two realities: Lent of Capuchin Friars and Queeresima Association Arc. On one side the Christian rites followed by a large audience and devout; on the other side young and old people passionately trying to carry on an idea of civilization. On the same floor there are men and women of modern Italy, who, through a concrete commitment, are trying to change things for the better.

About a man and a woman that accompanied their partners through major neurodegenerative disorders.

A bandit chief tests a British captive by arranging his escape.

Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.

Words, again and again, the same words. Just words? Words that are discriminatory, homophobic, lesbophobic, transphobic. Criminal, murderous, lethal. Deadly. It’s like a slap or a punch in the face. Or even worse.

In the context of the World Aids Day on the 1st December 1994, the French Ministry of Defence commissioned the producer Raymond DEPARDON to make a film to show to all new French military recruits called up for their national service, in which they gave their 'personal' views on the AIDS (Sida) problem. Each year about 240.000 young men are called to do their military service in the French Armed Forces. They remain in bases both in France and in French overseas territories, the film will be projected throughout these multiple installations. The 'on camera" interviews by Depardon were authorised without any form of restriction by the military authorities, selecting a scattering of young men from all walks of life who will spend 10 months under the flag. They were each free to give their own personal opinions related to the Aids problem, without any form of censorship.