A short film

Almost as if entering the picture frame by chance, mute characters lean out of Viennese apartment windows, simply to have a look.

Metal icons MEGADETH perform an exclusive, one-off global livestream, "They Only Come Out At Night", from the legendary Budokan in Tokyo, Japan. Their first-ever live performance at the Budokan where they will be performing classic tracks, as well as songs from their current album, "The Sick, The Dying...And The Dead!" This also features former Megadeth lead guitarist Marty Friedman as a guest performer.

Fly Out, PriPara: Aim for it with Everyone! Idol☆Grand Prix is a 3D film based on and starring the characters from PriPara.

A handful of quarrymen in the Reinhardtsdorf open cast mine near Bad Schandau dig out the coveted Elbe natural stone. Gabriele Denecke’s approach to the men, who are of different ages, is almost trance-like, the movement to and from the stones marks the transition to another world. We hear about the merciless working conditions of the past, about alcohol, people worn out before their time. Today, digging out the massive rocks in the midst of nature also constitutes a degree of freedom. Open cast miners share a special mindset. And: Once you’ve worn out your first pair of wooden shoes, you’ll stay – probably forever.

Symbol has its power because people believe that it has the power.

A letter from Beirut by Nour Ouayda

Harrie Vermeulen is back! Harrie moans and groans when he has to babysit. Trapped amidst teddy bears and little clothes, diapers and wipes, baby food and bibs, he once again turns it into a huge mess. And what if the babies disappear? These comedy evenings with Jon van Eerd, now so familiar, are surpassed by this comedy. He is the undisputed king of humor. Riotously funny, foolish, and heartwarming. Just when you think 'it can't get any crazier,' Harrie swoops in, grabs you by your laughter-lungs, and whisks you away on a carnival of priceless absurdity and uproarious situations. Expect to be short of breath because it's going to be an unforgettable night of laughter!

Toei studios last ninkyo eiga of the 70's.

The film shows the genesis of the Swiss Tropical Institute under the direction of Rudolf Geigy. From his employees and students he was partly admired, partly feared. His moods and outbursts were legendary. As a wealthy industrialist, he was able to afford virtually everything and generously invested in the establishment of the Tropical Institute, but also made considerable development aid in Africa. A search for traces with contemporary witnesses.

When archaeologist Shirley Yang learns of her father's disappearance, she returns to China and enlists the help of tomb raiders to track him down.

A documentary film about the coming out story of Katsuki Mama, the owner of the gay bar "Kyushu Otoko" in Shinjuku 2-chome.

Documentary with interviews of prisoners describing their miserable living conditions in Greek prisons.

A dream collaboration between five directors who represent the modern Japanese film industry! An omnibus work composed of five short films has been created. "The Short Films: We all started as children." The theme that runs through the five short films is "children." The styles vary from period dramas to contemporary daily life scenes, but all of the works highlight the dreams of children, who are entrusted with Japan's future, as well as the issues facing the social system surrounding children. ©ABC Television

Shocking video of 5 straight sportsmen dripping semen with real manly sex! Man x man, serious sex in the dorm room, behind the club room. A man's screaming and twisted body. All 4 powerful anal fucks!

Hyper Battle DVD of Kamen Rider Zero-One, featuring Kamen Rider Zero-One Hopping Kangaroo and the Trapping Spider Progrisekey.

The film, collected from various views and shrunken feelings, is our common space for collectivity and queer kinship. We are all there, scrambling out of the cinema form and once again slipping away to there. The collage method of gluing us together: a mutating, holding, non-solidifying form of people. We refuse to panic. It is difficult for us to maintain a critical distance from the intimate, extracted, and repackaged in relation to other material. Film as a message, film as a community, film as a form of interaction at a distance. We are led by Zhuzha, devices, and touch, which we were so lacking in quarantine.

A complex landscape of improvised situations immersed in a perpetual network of mines under the Slovenian town of Trbovlje (Iztok Kovács' hometown and his main source of inspiration). The realistic imagery of this post-socialist city, which seems to still exist outside of time, has triggered the impulse of this introspective introspection by a team of renowned dancers and filmmakers. The physical tension and human flashes of seven bodies crashing into a deliberately chosen enclosed environment, surrounded by the unlit warmth and humidity of the underworld, inhabit and create the poetic mood of the film, echoing Tarkovsky and Beckett.

Yamashiro Chikako channels the stories of survivors of the Battle of Okinawa through lip-synch and superimposition. With her body as an archive, she stages the link between the donors and inheritors of trauma and, ultimately, the impossibility of transferring memory across generational lines.