When James admits to his mother that he is gay it strains her liberal attitude. A San Diego businesswoman, Audrey believes she is a modern, open-minded mother, but the news sends her reeling. However, the real shock comes when James asks her to travel to Arkansas and inform his lover's estranged mom, Luanne, that her son has AIDS. As Audrey and Luanne learn to put aside their prejudice toward each other, they soon discover how to share their thoughts, hopes and fears for their sons.

Our Sons is a 1991 made-for-TV movie starring Julie Andrews and Ann-Margret as two mothers of gay sons, one of whom is dying of AIDS. As a small town waitress, Ann-Margret's character must overcome her own homophobia and learn to love her son unconditionally. In the process, she cements a lasting friendship with Andrews's character. The movie was inspired by the 1987 documentary Too Little, Too Late. Andrews' character is secretly homophobic, and Ann-Margret's character is openly homophobic. The dying son is played by Željko Ivanek; Hugh Grant plays his partner.

As seen in flashback, this is the story of 43-year-old Julie a beautician who when 15 was forced by her mother to give up her baby for adoption. Her son, now 28, a minister, with his wife expecting, begins to search for his biological mother to find out his family medical history. She hears of his search and reunites.

A young man relates how he was raised in a country with a culture different to that of his father. During a performance in a packed theatre he discovers that all he really cares about is his father’s approval and recognition.

A grieving mother and father come to terms with what happened to their son.

A song like a miracle falls in front of 20-year-old Joseph who has nothing. One day while they were having a happy time singing 'that song' like fate, a man with everything, even the owner of the song, appears in front of Joseph.

Crocodile-men, a mystic river, some kids who like fishing and a war that is coming to an end, share the same Colombian land: Bojaya. In this place, villagers have strange beliefs and celebrate the “Novenario” death ritual. This might be the beginning of a very long story, where spirits and humans meet each other to learn what is there to life after the end of war.

Uyyala songs are an agricultural tradition rooted in the political expression of women in Telangana. Through these oral traditions, ‘Songs of our Soil’ traces the histories of their resistance and memories of disillusionment. By looking at women’s participation in major political movements, from the Telangana people’s movement, to the demands of justice from the contemporary Mallana Sagar irrigation project, this film attempts to complicate the relationship between memory, history and cultural production.

After the Great East Japan Earthquake and Tsunami in 2011, Komori Haruka and Seo Natsumi chose to live and film in Rikuzentakata. This work is a visual record of four people who applied for a workshop Komori and Seo devised, showing them visiting the town and getting to know its people and landscape. The opportunity to hear personal experiences of the disaster decreases with time, but this film provides a bridge to new encounters and communication, in addition to including a story written by Seo entitled “Double Layered Town.”

This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.

This is a spin-off of the television series “Our Song”, which takes place in a rundown and problematic high school that is about to be shut down due to disciplinary problems.

The beautiful nature of Mongolia, the good life of the people, and the hard-working nature of the young people showed a friendly relationship. Badral, a transport driver, expresses the emotional conflict and understanding in the life of his beloved girlfriend, Chimgee, in the language of a musical film.

The film documents the alternative festival, made to protest against the Eurovision Song Contest held in Stockholm 1975. There are many Swedish and international artists on stage, as well as some clips from speeches, riots, civil wars, and the people at the song contest itself.

Can they hear our songs? is a short experimental film by Mehdi Jahan, inspired by the sufi oral storytelling tradition of his ancestral village in Assam. A tradition that is slowing fading away from the cultural landscape of Assam.