The documentary tells the story about contemporary saint, prophet of modern Serbia. It deals with the phenomenon of magic and superstition in very innovative and interesting way. In his natural environment Leo Gershman introduces us to all the secrets of white magic and elements used for making and removing the spells. On the other hand, the film shows a completely new, intimate and undiscovered side of a man - the ideological and moral immigrant, circus performer and entertainer. The film reveals the position of the common man in modern Serbia, his aspirations and the need for security, faith and unraveling the unknown. Throughout the film examines the role of the totalitarian regime in the creation and nurturing of such social phenomena, with emphasis on the Soviet and Yugoslav model of totalitarianism. This is a story of supreme manipulator, a man who knows human nature to perfection, who associates with the otherworldly forces, and use them to help others to find their own peace.

The Mamleev family portrait, set in the cramped interior of a small Moscow flat, is an experiment in metaphysical documentary making. Yury Mamleev, the great writer of the Russian chthonic, plays with a cat while his wife, the translator Maria Mamleeva, flips through a photo album from their émigré years in Paris and America. But something eerie seeps into these scenes of simple comfort, vaguely manifesting itself in the elliptical editing and the soundtrack’s unsettling, abstract humming.

Travel down U.S. Highway 127 from Michigan to Alabama and meet the people at the world’s longest yard sale—an annual four-day, 690-mile exchange of not only goods, but also stories.

The film is based on the real diaries of the former Nord-Ost hostage Irina Fadeyeva, whose 15-year-old son Yaroslav was killed during the assault. These are her reflections on the tragedy that happened and her silent appeal to the Russian authorities, which hide the true cause of the death of the child.