Lon is an author who wants to write a book on superstitious practices in the provinces. He decides to rent a house in a village rumored to be a center of black magic. As soon as he gets there he finds out it's haunted. He gets involved with the daughter of the village headman who has a boyfriend already. Like her father he's a small town gangster. He gets jealous and decides to use black magic on him. However, the ghost who is really his ex-wife from a past life does her best to try to fight him and the rest of them off.

Tuna is taking a course to become a writer. Under the influence of her mother, thinking it will benefit her, she starts psychotherapy. As she starts to tell about herself and what she is going through, she starts avoiding them. Her relationship with her roommate is also affected in the process.

The characters of the film are folk wooden and clay toys.

Pursuing his dream of become a screenwriter, twenty-seven-year-old Nathee invites his close friend Pharadon to write a script with him. He finds writing inspiration in the old poems hanging in a restaurant called Tram. These poems were written by the restaurant's owner, Arak. After getting to know Arak, Nathee learns the story of how his first love began on the last day the tram ran. On the tram's final trip, Arak and his close friend Boriphat fell in love with the same girl, Mukda. After that day, the story of their love triangle began. The film script is the story of a love triangle, overlapping with the true story of Natthee, Pharadon, and Sokaew. Sokaew has fallen for Nathee and Pharadon has fallen for Sokaew. However, Nathee doesn't think of Sokaew like that.

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

A funny story about the relationship between a beloved cat and a newly bought bird.

Echoing the story of Vessantara Jātaka, the film depicts a man’s post-widowhood transformation and Myanmar’s complex past through a dysfunctional family.

When ex-soldier Maya sees her murdered husband on a secret nanny cam, she uncovers a deadly conspiracy that stretches deep into the past.

Grade 6 student Han Fei’s mother passed away from a car accident. His father, afraid that his son cannot take this news of his mothers death, lies to him and tells him that they are getting divorced. With the sudden appearance of a step mother, Han Fei does not accept her. His father tells him the truth of how his mother passed away, Han Fei realises what a mothers true love is on the day of his birthday.

A short web-drama

Sometimes, while living their normal lives, people accidentally capture something extra on camera. When you first see the footage it seems completely normal, but once you understand it, you cannot shake it from your mind.

A touching and funny story about romantic relationships between two dogs. A young male dog, to win the favors of his beloved, prepares two presents for her. A tasty bone, or a rose, what will win the heart of the cute lap-dog?

Leonardo Favio’s final years are captured through the eyes of his daughter in an intimate and revealing journey. As Favio recreates his masterpiece, Aniceto, remake of Este es el romance del Aniceto y la Francisca… Interviews between father and daughter unveil a rich story of creativity, legacy and deep relationship. In this documentary, the camera becomes a silent witness to the interaction between Favio and his daughter, offering a privileged look into the mind of the artist and the man behind the genius. The conversations span memories, reflections on art and life, exploring Favio’s duality as filmmaker and father.

On Meg’s seventeenth birthday, she learns that she only has one year left to live. Her mentor—the Eternal Witch, Faust—explains that she is cursed and the only way to save herself is to grow a seed of life using one thousand tears of joy. Of course, such tears aren’t easy to come by. As Meg begins her quest, she finds herself drawn into the lives of her friends and neighbors in ways she never imagined. By sharing their burdens and using her magic to comfort them, she learns how precious those moments of connection can be even in the face of death.

On the night of August 19, 1980, a bus was set on fire by the vagrant Hirofumi Maruyama at the Shinjuku West Exit Bus Terminal. In the burning flames, Mitsuko, who was exhausted by her affair, suddenly thought of suicide. As a result, she escaped too late from the bus and suffered a serious injury. From there, she was hospitalized for a long time. As she gradually recovered, the wife of her affair partner, Soroku Sugihara, died of cancer. Soroku proposed to Mitsuko again, and they lived together. Due to Soroku's mounting debt, they decided to flee to Tojinbo. With the desperate persuasion of her acquaintances, Mitsuko regained her desire to "live again."

A handful of quarrymen in the Reinhardtsdorf open cast mine near Bad Schandau dig out the coveted Elbe natural stone. Gabriele Denecke’s approach to the men, who are of different ages, is almost trance-like, the movement to and from the stones marks the transition to another world. We hear about the merciless working conditions of the past, about alcohol, people worn out before their time. Today, digging out the massive rocks in the midst of nature also constitutes a degree of freedom. Open cast miners share a special mindset. And: Once you’ve worn out your first pair of wooden shoes, you’ll stay – probably forever.

In Taiwan, there was once a voice, connecting the north and south, hiding amongst the common people, bitterly hated by the ruling power that wished him bound and silenced. It became the song of democracy, the people's requiem, and the horn of freedom. For decades, WU Le-tian narrated the famous story of Taiwan’s very own virtuous thief – Taiwan’s Robin Hood – "LIAO Tian-ding". In the era of martial law, he used fantastic stories as a cover for arousing rebellion, and a guerrilla-style strategy to disrupt the state media. With an audience of millions, the common people was viewed WU as their very own Robin Hood! Surviving prison, escaping the jaws of death and disappearing without a trace for a decade, rumours have unceasingly circulated about the reappearance of the legendary virtuous thief.Today, in the raging storms of social unrest and rebellion, the legend has indeed quietly reappeared. The hero is alive! (docs.tfi.org.tw)

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.