Inspired by the thesis "De Burra Preta a Raimundo: Itinerário de uma história soterrada" (From Burra Preta to Raimundo: Itinerary of a buried history) by sociologist Lucas Vidal, the video performance Itinerário de uma história soterrada (Itinerary of a buried history) (2023) evokes the memory of Raimundo Preta, also known as Burra Preta, remembered through the narratives of various people who worked, lived or just passed through Praça do Ferreira, in the municipality of Fortaleza, between the 70s and 80s. Her story highlights the colonial vision of the means of producing history about black bodies, as well as the subjective mechanisms of naturalizing racism. The action's provocation emphasizes the urgency of treating the memories of Fortaleza's black ancestry with dignity.

The assassination of Pancho Villa, on the outskirts of Parral, Chihuahua, plunged the city into mourning, and a wake for the revolutionary hero was held by his closest collaborators. Conspicuous among the mourners were the four women with whom Villa was having intimate relationships at the time of his death. Now that Villa is no longer around to mediate and keep them apart, tensions between the women grow and intensify, with unexpected consequences. An intimate and human portrait of the Centaur of the North.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.