In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred - face an unprecedented level of pressure: in a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.

Autumn has settled in on the banks by the stream. Small animals are busying themselves in preparation for the long winter ahead.

Short film by Teo Hernández.

Jan Peters films and talks every day, every day fills a reel of Super-8 or 16mm film. He speaks to the camera, or records a commentary on the images he is filming. For a month, Jan Peters tries to reflect on different themes, and events sometimes come to upset his plans. A quasi-police investigation in Belgium interferes with an intimate relationship; technical problems of all kinds (sound, image, light, film development, automobile mechanics) force the filmmaker to invent other solutions; a debate between filmmakers on the theme of the power of images turns into burlesque; artist friends want to contribute to the film that is being made. Thus, day after day, a film is built. Some things are planned, others are not.

Julien, thirty years old, wanders through his life without belonging to it. He disappears in the memories of his lost childhood, of his distant kisses, of his unanswered discussions.

The film wanders through the city of Montreal, revealing a heterogeneous human mosaic of life stories and intimate reflections of its residents.

Survivors and first responders share personal stories of anguish, kindness and bravery that unfolded amid the Paris terror attacks of Nov. 13, 2015.

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.

A documentary recording the visit of the Italian navy warship Libia to San Francisco.

Who would you be today if, a few years ago, you had not chosen the path you took? Another person, in another life. Completely, definitely, irrevocably.

Francesco Maselli pitched this documentary to the CGIL, CISL, and UIL trade unions as part of the 1.5 million people protest march on November 12, 1994 against the Berlusconi government's projects on social security and the reform of the pension system. A large number of directors, cinematographers, camera operators and technicians from all over the country worked for free in 22 different crews, chronicling one of largest political events ever held in Italy.

Louis-José takes a stand: yes, he admits, he describes himself as slow, going against the grain of his time where immediacy is valued, thus justifying his affection for this underestimated and unloved month. Captured in September 2018 at the legendary Capitol Theater in Moncton.

On November 13, 2015, ten months after the attacks on Charlie Hebdo and the Hyper Cacher at the Porte de Vincennes, three jihadist commandos, divided between the Stade de France, the Bataclan and the terraces of the 10th and 11th districts of Paris, spread death in the capital. How were these men, mostly French and Belgian, some of them actively sought, able to cross Europe and carry out their plans without being worried? Faced with the loopholes revealed by the attacks, fourteen European countries, supported by Europol and Eurojust, the EU's police and judicial cooperation agencies, pooled information and resources on an unprecedented scale to identify and track down the culprits, accomplices and sponsors of these attacks.

A haunting tribute for the late Dede Fortin, the frontman of the Quebecois band Les Colocs.

A documentary that lifts the veil on the issues of construction, evolution and transmission of memory after the attacks in Paris and Saint-Denis.