A drama centered on a classical pianist who has been diagnosed with ALS and the brash college student who becomes her caregiver.

An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.

Marcia, a classy young Parisian singer, is recording an album with her idol Daredjane, a '70s rock icon. When Daredjane dies accidentally, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

After studying literature at Cairo University, Dunia, 23 years old, wants to become a professional dancer. She attends audition for an oriental dance contest where she recites Arabian poetry without any body movement. She explain to the perplexed jury that a woman can't move her body or evoke act of love when society ask women to hide their femininity. She is selected and meet Beshir, an intellectual and activist who will supervise her thesis on ecstasy in Sufi love poetry. Their attraction is mutual. This could be liberation for Dunia but the constraints on women in Egyptian society goes deeper than she suspects.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

While Cjamango is away from his ranch, bandits attack and kill his family. Disrupted by this tragedy, he sets out to take his revenge, helped by a Mexican who has seen the bandits. The writer of the western Cjamango directed this unofficial sequel to Cjamango.

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

This is where the story of Yo-kai Watch began! Nate, Whisper, and Jibanyan's encounter in the first episode of the memorable "Yo-kai Watch". Why did Jibanyan become a Yo-kai!? Episode 25 of "Yo-kai Watch" depicting the secret story of the birth of the excitement. In addition, the popular corner of Yo-kai Watch♪ and the special new part of the movie original, recorded in the first 4K high-quality video of this work, we will deliver it to DCP for the theater! Please enjoy it on the big screen of the movie theater♪

The story of one of Latin America's most beloved singer-songwriters in a journey across his 50-year career. In an intimate way, the film gives us a chance to get to know the artist, his music, and the stories behind them.

"Ceci n'es pas moi." (This is not me.) contains strange images of Emmsen Jafari, when he wasn't afraid of knife. This video is made by old footage taken by Majid Jafari at the first birthday of Emmsen Jafari.

The story of Antoine Leiris, who lost his beloved wife Hélène in the terrorist attack on the Paris "Bataclan". In a moving Facebook post, he counters the assassins' hatred with his love for his almost three-year-old son. And yet he seems to lose his footing in his grief.

Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

Stand up comedy special from South African actress and comedian Tumi Morake

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.