A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

Senator Pupis feels a strong and uncontrollable urge to grab women's bottoms, a habit than can lead to embarrassment, especially if the woman in question is head of another state and the occasion a state visit. In his desperation Pupis turns to the clergy for spiritual and psychological help.

More and more parents take competitive behavior towards the teachers of their children: deny votes and programs, vaneggiano of likes, dislikes, and conspiracies. So, instead of helping in the training of their children, they become insurmountable obstacles to their growth. Presumptuously they think: "We know better than anyone else our children and we know what they are worth and how and what you have to teach."

According to Interpol, over ten thousand refugees of minors without parental care are wandering today in Europe, half of which are on Italian roads. "Despite the Fog" is a movie story about one of them. In short: Ali-Musa Sarhan, a refugee whose parents drowned while traveling by rubber boat on the Italian coast in search of a better life, is accepted by family, husband and wife who have lost a child. They are trying to find solace in little Arab and a sort of replacement for their early deceased son, Mark. Valeria (Donatella Finokjaro) and Paolo (Giorgio Tirabasi) are increasingly confronted with resistance from the environment and their own family, who do not accept their decision to keep Muhammad - It is also a story of a world that is increasingly sinking into xenophobic fog.

Sara, Lucía, Sofía and Claudia are sisters, 4 modern women with very different personalities, who come together at their mother's funeral, after which they discover the man they've all called "dad" throughout their lives is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.