Samad is a 14-year-old boy, living in a refugee camp in Imishli. After blacking out in the forest, he finds himself in the midst of the Nagorno-Karabakh War that happened ten years ago.

After the years of pointless and exhausting wars USSR fell into the deep economic and humanitarian catastrophe. The environmental pollution forced people to move into one mega-city and soon it was decided to develop and implement the AI analog of the government with a fully automated workflow. The transition into the cybercommunism has begun. Unfortunately, this technology has not justified itself and soon The Central Computing Machine slowly started to create its own army of obedient sitizens. As a result of repressions and general barrenness the biological population of country has reduced by two thirds during the last 50 years and is expected to be instinct by the end of this century. At the same time country is on the brink of war waiting to spread the ideas of cybercommunism around the world. But not everyone is willing to fight this war.

It narrates, through the stories of Edgardo, Gabriel, Graciela, Verónica, Walter and Carlos, the new worlds of externalization, the possibilities of life outside the neuropsychiatric hospitals, the power of the community networks they support. The community construction, the professional look, the State that accompanies. How the corridors of mental hospitals become streets and neighborhoods and those close pasts of confinement in psychiatric hospitals, become fears and obstacles to transit life outside of them. The future of those existences, relegated and isolated, once lives of confinement left behind. The future of all existences

A documentary film about Erkki Kurenniemi (b. 1941), whose career represents a surprisingly natural blend of music, film, computers, robotics, science and art.

This film is based on incidents that took place in the country within the last 20 years and the impact they caused on the lives of people. It also focuses on the wide-ranging problems faced by the youth of this country.The youth focused on are two young hired assassins, Lionel and Dhammika, who are hiding out while their deed is on every television. The same television also shows them John Travolta's violence in Pulp Fiction--strictly amateur stuff! While they are hiding in Colombo, Bandarawela and Ahatuwewa drink, try on hip-hop clothes, befriend an upper class girl. It's only a matter of time until their acts catch up to them. Will they escape once again?

Nick, a jobless cook, falls in love with Anna, a film student. Some time after their adventurous first night she leaves him. Then time starts to run backwards - for everybody but Nick. He finds himself in a backwards world, everybody talks, runs, eats backwards. He accepts the situation, realizing that Anna is bound to return to him this way. He wants them to live together, him forwards, her backwards...

A female fortuneteller examines the sole of a man's foot to see his future.

Tai Che Ni is a cheerful and diligent delivery worker in the year 2000. He has been given an item to deliver to a man named Hai Yi. But something very strange happens to him – and he suddenly finds himself transported 22 years into the future...to the year 2022! He finds Hai Yi, the young heir to a massively lucrative business group empire. At first, Tai Che Ni is utterly distraught by the fact that he has been brought to the year 2022 – and longs to return “home” to 2000. But as he begins to spend time with Hai Yi, he starts to become attracted to him – and discovers a tender side to the business heir that many of his acquaintances have never seen before. Could he find happiness here in 2022? Or will the pull of the past separate this duo? Meanwhile, love could also be set to bloom between a seemingly cold-hearted company manager Liang Wen Hsen, and the office’s newest recruit – a tender-hearted orphan named Lin Huai En.

A documentary about Kari Aro, the distinctive manager of Koho -hockey-stick factory, whose visions were to change the world. Story about the fairy-tale -like success, the destructive power of money and Aro's faith in goodness of people.

For Robert Gladitz and Elina Miller, the world suddenly turns upside down when they learn in 2021 that they are going to be parents. One thing is immediately clear to both of them: they want a better world for their son. So they establish a 'thrive village' in a small village in Bali. The community around the young couple grows quickly. A collective that has made it its mission to develop and promote projects that make the world a little bit better. Cooperation comes first. For many, this is also an opportunity to start over and let go of old burdens or traumas.

“If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us”. María Cañas meets the Anthropocene in this search-footage film starring the animals that (hopefully) will take over the world when the most harmful species (the human one) materializes its own destruction.

Some years ago, director Ina Pillat discovered the story of an early synthesizer from East Berlin. She is herself from the DDR, but lives in Norway. This early electronic sound generator was far ahead of its time. She gets curious, what is the story behind this unique invention?

The wife of a reporter, who turned up missing while investigating reports of illegal toxic dumping, teams up with a photographer to find her husband.

Yasu and Masaki are two Film students from Tokyo who want to make a Documentary about the yakuza. Their Friend Eiji, who works in a club introduces them to the yakuza member Hayashida. But filming a movie about the yakuza isn't as easy as a sunday walk and before they realise what is happening around them, they are already tangled into things which are very dangerous for them…

The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.

Sequel to Maho Girls Precure! (2016).

An examination of the Constitution of Japan and the possibility of its revision

The couple, who went out at night after the curfew was lifted in Istanbul due to the pandemic, on the journey home, their perceptions are deconstructed, and they slowly move away from the city, time and each other.