In the mid 1800s, New York City was one of the most crowded places on earth. The congested streets and pokey transportation system were a source of constant complaint. On March 24, 1900, ground was broken for the Big Apple's subway; the Interborough Rapid Transit Line opened four years later, running more than 26 miles of underground track at the speed of 35 miles per hour. Soon thousands in the city were "doing the subway."

Light and Darkness of New York metro.

Compilation of concert clips documenting New York Underground and No Wave scene by: Johnny Thunders, The Cramps, Levi & The Rockats, Bloodless Pharaohs, The Blessed, Micky Zone, Von Lmo, The Contortions, DNA, Suicide, Plasmatics, Bad Brains, Angry Samoans, Dead Kennedys, Dead Boys, Dictators, Ramones, The Senders, Willy DeVille, Richard Hell, The Wallets, Model Citizens, Pure Hell, Jane County, Richard Lloyd, Snatch, Sic Fucks, The Feelies, The Plastics, The Dots.

Profiles the culture, lifestyles, and rituals within the New York City subways.

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

the connections and energy flow between the various artists populating the 1980s sub-cultures of New York and Berlin. Features Jim Jarmusch, Lydia Lunch, Blixa Bargeld, Alex Hacke, Gudrun Gut, Nick Cave, and others. An important film. Bravo, Mr. Dreher.

Heir to a long New York film and visual culture, which peaked in the 1960s, Richard Kern was undoubtedly one of the most exciting artists of the 80s and 90s. Oscillating endlessly between photography and animated images, one of the pillars of Cinema of transgression, a major artistic approach which seeks to shake up visual codes and subject the viewer to his own relationship with sex and violence, all in a very urban universe. We find clips of the New York underground, from Nick Zedd to Lydia Lunch via Cassandra Stark, to Sonic Youth. Work which, like his photographic work, runs desperately after this search for pleasure that is still unfulfilled. "Death Valley '69", "The Right Side of My Brain" , "You Killed Me First" , "The Bitches", "The Sewing Circle", X is Y" , "Fingered", "Horoscope", "Submit to Me Now" (1987), "My Nightmare", "Manhattan Love Suicides", "Submit to Me" (1985), "The Evil Cameraman"