The force of the accident. Two apartments. Two changes. Through a forgotten book, a meeting.

Experimental short by Keiji Aiuchi.

A short movie about moving on.

"A man stands amid unpacked boxes in his new home, delivering an extended monologue on indecision and dislocation. This rarely seen, overlooked gem created by Akerman for television explores the quotidian crises and profound feelings of alienation that run through her work." - BAM

As a couple of lesbians move from the city to their new home in the country, a pair of love birds follow them to their new home.

In Banteay Meanchey province, Mom Beng, Vai Sok and their daughter Chanra are homeless and have to move their temporary shelter as they get evicted from the land where they settled. They use their cart both to move their belongings and to offer delivery services. Mom would like to go and work in Thailand but Vai feels happy as it is, with his family around.

As with "SPIN", an abstract animation with delicate line drawings. There are single color and color versions. Nakamura Shigenobu is in charge of the music used in the work like the previous one.

A man, wearing a female dress, has just moved into his new home. Beyond his humorous plot, 'the move' in this case also wants to represent another symbolic 'transfer': the restitution of dignity denied by the male world to the female, throughout the human history.

In the village, in a small house by the river, an old man lives with his granddaughter. They live a simple life in harmony with the extensive nature. One day, the man’s daughter, living in the city and doing everything in order to survive in an hostile social environment, comes home and asks him to sell a house and move to live with her in the city.

Poet Mirkka Repola ponders on her life and how she's about to move house soon.

Darina is a twelve-year-old girl whose life has recently changed dramatically. After a difficult divorce, the mother moves to her hometown with her daughter. Darina has to start a new life in a new place.

A story about a middle-aged Chinese man who has a big family to support struggles to survive alone in a foreign land.

Lili, a 36 years old female taxi driver, is trying to save her marriage with Dani, an amateur fisherman.

A shuddering through the crowds of the ghettos, walking the hills of his childhood, meditating in the church of his village,Jimmy Cliff(real name James Chambers) tells us about the fate of a child from the campaign going on the ramp fire. This documentary evokes the birth of Rasta music, that of ska and reggae, friendship withBob Marley, but also the suffering and extraordinary creativity of the Jamaican people, who give the film their most true moments.Jimmy Cliffoccupies a special place in the history of reggae. Deeply Jamaican, his great independence of thought led him from Christianity to rastas and then Islam, from soul and rock to reggae and ska. This journey nourishes his music, one of the best-selling music in the world.

ON JUNE 4th 1989, CHINA WAS CHANGED FOREVER. Beijing, May, 1989. the world watched as a hundred students became a thousand, as thousands became a million - and a nation starved of freedom, cried out for a taste of democracy. In this compelling film, director Michael Apted (Nell, Gorillas in the Mist), captures the power and passion of the Tiananmen Square uprising through a unique combination of newsreel footage, dramatic re-enactments and extensive input from the actual student leaders. Exploring their personal histories, reflections and thoughts on the future. MOVING THE MOUNTAIN paints a portrait of courage, conviction, and commitment that the NEW YORK POST calls, "A soaring - and sobering - tribute to the human spirit."

Project: Moving sees a young professional explore and debate the trend of young people leaving Rīga for somewhere more suitable for living, particularly the town of Cēsis in the scenic Vidzeme region. "We are simply showing that right now Cēsis has become the hipster capital, and it's not bad at all. It's like a different kind of gentrification, and it affects not just a single quarter, but the entire town."

The Choreographer and filmmaker have collaborated on the work under some rules. 1. To structuralize the movements such as behaviour, pose and gesture of the commonplace. 2. No to emotion. 3. No to style. 4. To study the condition of secrets to place the body. 5. Direct demonstration not depiction. 6. To equalize the strength of movements. 7. To ensure the initiate of movements independently that does does not contribute to the representation. We did shoot during the day, and collect the images of ordinary landscape without intention. Projecting the inappropriate images of reality in juxtaposition with side by side would lasts as the form where might be acquaintance rather than the image of metaphor.

A chronicle of queer lust set against a greasy metallic environment of the last days of a factory that is about to shut down. Among the workers forced to idle away until the end of the week, Jacques, a young technician is busy dismantling a machine while, without noticing it, turning on some of the men around him!

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

Five actors meet in a house on Christmas Eve to make a movie. While waiting to have dinner with someone they don't know or if they're actually going to show up, they reveal secrets and look back on their lives. From this encounter, joys, frustrations, absences and passions surface at the edge of tension.