A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty."

A comedy with Polidor.

In an effort to erase his disgrace, the mischievous Kim Hwan starts a movement to build birdnests but the old park keeper gets injured in his efforts. In order to get money for the park keeper's hospital fees, Hwan gets on his friend Chil-sung's boat to catch some fish. However, Hwan gets caught up in the tide and drifts off to sea where he is rescued by a Chinese ship. The Chinese ship tries to take Hwan to North Korea but Hwan resists with an anti-Communist will so strong he's willing to die. Hwan is safely returned to his home country. At the airport, Hwan's friends bring the old park keeper who is in a cast. They receive Hwan with beautiful music and performances.

Amal is a little child who lost her father goes to a circus and finds a man called shalaby who looks exactly like her father. she starts to call him dad and things escalated quickly.

In this funny and moving documentary, acclaimed film-maker Daisy Asquith tells the very personal story of her mother's conception after a dance in the 1940s on the remote west coast of Ireland. By exploring the repercussions of this act, Daisy and her mother embark on a fascinating and emotional adventure in social and sexual morality. Her grandmother, compelled to run away to have her baby in secret, handed the child over to 'the nuns'. Daisy's mum was eventually adopted by English Catholics from Stoke-on-Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years, until Daisy and her mum decided it was time to find out who he was. Their attempts to find the truth make raw the fear and shame that Catholicism has wrought on the Irish psyche for centuries. It leads Daisy and her mum to connect with a brand new family living an extraordinarily different life.

A member of the jieitai ("Self-Defense Force"; i.e. Japanese military) is on leave and finds a woman giving birth in a graveyard in the former Yoshiwara district. He takes her to an inn to gove birth, and stays on a few days as she recovers, but becomes fascinated with the strange people he meets there, particularly the owner, who visits a house in his courtyard every day to talk and give food to his mother. He says she is very sick and can't leave bed, but no one else has ever been inside or seen her.

Award-winning author Michael Wallis takes us on this cross-country adventure along Route 66, The Mother Road. We'll revisit the tourist spots and quaint motels, the secret corners and little cafes, the unique people and fascinating places he made famous in his best-selling book about America's Main Street. We'll see where Route 66 began, and ended, in Chicago. We'll explore the first truck stop in America and sample food at the greatest diners along the route. We'll discover why they called her "Bloody 66", and visit the Cadillac Ranch outside Amarillo. We'll try to eat a 72 oz. steak, see the Grand Canyon and ride along with the classic cars on a Route 66 "Fun Run"... plus much, much more! It's your journey down Historic 66... an American Tradition.

What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.

Vitaly and Victor have been friends all their lives. They were born in 1936 in the Kyrgyz USSR, survived the famine during World War II, graduated from school in the year of Stalin's death, and left for central Russia to build communism. Now they are over eighty. The system to which they devoted their lives collapsed, the homeland became a separate country. Together they decide on a desperate journey to Kyrgyzstan to find the graves of their parents and take stock.

Yulia is sixteen, she lives in a hut and is pregnant. Vanya lives with his parents in a five-story building. His parents are against mesalliance and do not let the couple on the threshold.

Dongdong's father financially supports the family with low wages alone. However, he quitted his job in order to retain his colleague's job, because he sympathy her, who is a single mother. This made their living became worse, and drove his mother left with her past lovers. To earn living, Dongdong has to work with his father and lost the chance of schooling. Missing mother drives them nuts, and they decided to go to Dalin to find her. The journey of searching mother begins.

Mothers and daughters is a short documentary film about a family of 3 women and a girl, who live together in a small village in the north part of Slovakia, without any men.

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.