Mori, a young mutant with psychic abilities, spent much of her early life enslaved by a mysterious organization. Years after her escape, Mori now has tracked down the scientist that tormented her all that time, and she's out for revenge. A Sci-Fi film with a splash of horror, Mori aims to be a larger than life tale of bloody vengeance, with the personal struggle of a wronged woman trying to move on from her past, even if she has to kill it.

In the late 19th century, the British Empire nobility reigns while its working class suffers at their hands. Sympathetic to their plight, William James Moriarty wants to topple it all. Frustrated by the systemic inequity, Moriarty strategizes to fix the entire nation. Not even consulting detective Sherlock Holmes can stand in his way. It’s time for crime to revolutionize the world!

A man on the brink of death, has a conversation with a stranger. The pair philosophize about the meaning of a life well lived.

Balsa the spearwoman is a wandering warrior, who takes on the task of saving lives, in atonement for a past sin. On her journey, she happens to save a prince, and is tasked with becoming his bodyguard. And he is going to need one, for his own father, the emperor, wants him dead. Throughout the story, Balsa's past will come to light and they will uncover mysteries about Chagum's condition while developing a family-like relationship with each other and others.

A police thriller, exploring the relationship between a murderer and the police officer, who pursues him in a life-or-death duel.

The heroine Balsa is a skilled bodyguard and a masterful spear-wielder. One day she rescues Prince Chagum who has fallen into a river. The prince is carrying a mysterious spirit egg in his body, and is in danger of being assassinated by his father, the Mikado, who fears this will damage his imperial prestige. Balsa embarks upon a perilous journey when she accepts the queen’s plead to protect her son from her husband.

Mori investigates the confluence of ecologies with place-based affectivities in Yamaguchi Prefecture, Japan. The title of the three chapters,“守(to protect)”、“森(forest)”、“杜(spirit)” are different in shapes and meaning, yet all pronounced as “Mori in Japanese.” Karst cave, groundwater, the soils, villager, burning mountain ritual, scientist, Buyō dancer, majestic oak and forest, the work questions the ways of contemplating nature through rituals and folklores, and how landscapes have been historically constructed. Conceptualizing Dan Graham’s installation “Two-way Mirror Triangular Pavilion with Shoji Screen” as diffractive model of the work, Mori sees landscape as process and inner mechanism, which is defined by our detached vision and interpreted by our bodymind. It is a panorama which continuously changes as we move along any route.

The only memory Morî has of her father is the audio recording of a story he told her. Morî listens to this story from time to time. One day, a new teacher comes to school. When Morî sees the teacher, she thinks he is her father. Morî's persistence on this point eventually leads to an emotional bond between her teacher and her.