Bander is a 17-year-old boy from Earth who lives on a distant planet, which is populated by human shape-shifters who feed off of vegetables and animal tails. Violence soon breaks out, as invaders launch an attack on Bander's new planet. This was Japan's first 2-hour animated film for television. The program received high ratings when broadcast as part of a set of 24-hour TV programs called "Ai wa Chikyu wo Sukuu" on Nippon Television. After a long gap since his last animated film for television, this work fully reflects Osamu Tezuka's desire to achieve theatrical quality with this production.

The 500 million year button. Press that button and a million yen will come out. In exchange, you have to spend 500 million years in a completely empty space. However, the moment 500 million years have passed, your memory will be erased and you'll be right back where you started. For the person who pressed the button, it would be like a million yen in an instant. 5-year-old Tonio, 14-year-old Jaibi, and 17-year-old Suneko, were at a loss for money to pay for their father's treatment in the hospital. But then, in front of the three siblings, a person with the "500 million year" button appears...

Millions of Years Ahead of Man is a 1975 West German short documentary film about Leafcutter ants, produced by Manfred Baier for BASF.It was nominated for an Academy Award for Best Documentary Short.

Can you believe in millions of years and a Noachian flood or are they mutually exclusive? Does the geological evidence really confirm millions of years or the global catastrophic Flood? Dr. Terry Mortenson answers these questions and many more in this illustrated talk that considers both the biblical teaching and the geological evidence. You will learn about the critical importance of starting points (presuppositions) in the interpretation of the rocks and fossils. This DVD is a must for teens and adults who want to deepen their understanding of the controversial subjects of Noah’s Flood and the age of the earth!

Using high-quality illustrations, Dr. Mortenson races through the last century and a half to reveal that what one believes about the age of the eath is a worldview issue of foundational importance! Viewers will understand that the issue is not science vs. religion but anti-Christian ideas vs. the clear teaching of Scripture. With a summary of some of the many godly Christian leaders over the past 150 years who have compromised with millions of years, Dr. Mortenson gives a critically needed historical context for understanding why the authority of Scripture is so undermined in the Church today and how this relates to the proclamation of the gospel. Great for teens and adults, especially pastors.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

The Ultraman Kids are a lovable bunch of outer space kids on a quest through the galaxy to find their leader Mar’s missing parents. Along the way they have fun and adventures and even learn a thing or two! Mar is the leader of the Ultraman Kids. He’s a curious fun-loving little boy with a taste for adventure and a talent for mischief. Pico is a bright clever girl, capable of anything the Ultra Boys can do. Tar is the strongest of the Ultraman Kids. Unfortunately he’s somewhat lacking in brain power. Sebu is the Ultraman Kids’ resident scientific genius. He’s complete, concise and well-organized, the exact opposite of Mar. Pigco is a lovable, squeezable creature and a fine friend to all the Ultraman Kids. Pigco is always seen together with little Midori. Sometimes it seems as if the two of them are two parts of one strange creature. Varu is the self-proclaimed head of the monster crew. He’s conceited, short tempered and determined to spoil the Kids’ fun.

A German animated film about dinosaurs that was repackaged in the United States during the Scopes Monkey Trial. The opening scenes depicting the formation of the earth, and early marine life, employ such simple means of simulating movement as a moving camera and sliding cels and overlays. One primal, insect-like creature is pictured by means of an elaborate jointed cutout, its legs and antennae manipulated frame by frame—a technique favored by some early animators. Most of the creatures in this film pose sedately before painted backdrops or simple settings; the effect is that of museum dioramas come to life.