Experimental film in which with black birds and peacocks, old postcards and dried flowers, toiletries and antiquarian pieces, the mannerist or theatrical touches of Creole romanticism are recreated and ironizes around the modesty of María and her vampiresque unfolding.

Maria and Leif has a relationship. Leif is a former bank robber. He makes another hit and is sentenced to prison. He urges Maria to forget him.

An ailing Polynesian matriarch must find the strength to lead her family one last time.

A young mother called Maria is returning home after a long abscence. Her kids have created their own fantasies as to why their mother has been away for such a long time.

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

María (55) is a peasant woman who maintains her plot with the help of her grandson (6), and they are harvesting the beans of the season. She lives far from town with her daughter (17) in Upala, Costa Rica.

Maria has been fired from her job as a householder with a family in a small town in Sweden. She leaves in anger for Stockholm, aiming for a career as an actress.

Maria a young girl living in Portugal in the late 60's, is left alone by her husband who is taken to the colonial war in Africa on their wedding day. In an environment of traditions and taboos she tries to deal with her love and loss at the same time she tries to find her own voice.

The story narrates the idyllic and tragic love between María and her cousin Efraín, both natives of Valle del Cauca. In the middle of a romantic and bucolic landscape, the young characters fall in love with each other but circumstances prevent the full realization of their love.

Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.

Based on the novel by Jorge Isaacs, it narrates the idyllic and tragic love between María and her cousin Efraín. In the middle of a romantic and bucolic landscape, the young characters fall in love with each other, but circumstances keep preventing the full realization of their love.

Maria spends her days working in her family’s noisy metal factory. While being oppressed by male violence, she is also responsible for caring for her sister-in-law and niece, both existentially depleted. A revolution starts to boil within her.

Color silent drama that shows the love story between Efraín and María and its tragic end, shot on a farm in San Gil.