Set in Zurich in the 1950s, a special agent who is near retirement receives a major assignment: Bring down Harry Wind, a top PR manager who has been accused of spying.

A discarded cartoon character and some spilt ink combine and interact as if the cartoonist had drawn their actions. Discovering them, the cartoonist then joins in the interaction.

Julien, an honest policeman, is asked to infiltrate a terrorist organization. He soon meets the charming Brigitte. But soon, manipulated by his superior, Julien finds himself involved in a dangerous affair: a gigantic campaign of intoxication.

The events of the play revolve around (Hia) Sabreen, who works as a seamstress in Mansoura, and for the mistreatment of the owner of the store, she decides to go to Cairo to work at the branch of sewing and she asks for her address in one of the shoe stores. There, she identifies with (Tayfour) Mamdouh Wafi, who works in the shop. It is recognized by the owner of the store (Hakkai) Mahmoud Al-Qalawi, and there are paradoxes that go out from him to be hit by a motorcycle in the field in front of the shop. Who trades in the currency. She discovers that she has stolen her money - so she can sympathize with her, and she will live with her in her apartment, and at the same time work in the shoe store. And Tayfour loves her.

Manipulations is a video inspired by the famous game of logic Rubik’s cube. It is a succession of close-ups of varying intensity showing a pair of hands manipulating a cube with colored faces, to a soundtrack of a regular and insistent beat, the clicking of the cubes combining at times with strident acoustic distortions. As the resolution of the logic game progresses, cubes with black faces that weren’t initially present appear, progressively replacing the colored cubes until the brainteaser becomes completely black, with the exception of a row of cubes with a white line. Meanwhile, the hands tirelessly continue their manipulations while images of the Kaaba are overlaid on those of the hands moving around and being progressively covered in black. This piece is part of a larger body of work initiated in 2004 that also comprises a series of photographs, a sculpture and a video game.

I'm wearing the uniform of our time

“I think being in the lesbian community means being in a very tiny room with the same five people, four of whom you absolutely despise.”

The ECG of metempsychosis (from the genes to the zodiac). Electrographics of the 4th Dimension.

French territory is threatened by a terrorist organization just before the presidential election. If the government doesn't answer its demands, programmed bombs will explode gradually on the national railway network. Despite the operation deployed by the anti-terrorist unit, the Home Office has no other choice but to call Franck Barrot, police superintendent well-known for his controversial methods, to neutralize the armed group. His investigation will lead him to the very top level of the terrorist organization: the government itself.

A four-screen within one frame film, shot in un-slit regular 8mm, in four sections of four performance / happening / destruction art events presented in 1967 at the Judson Gallery below Washington Square in New York City. SOME MANIPULATIONS captures the confrontational light pieces of Jean Toche, an avant garde musical performance by Nam June Paik and cellist Charlotte Moorman, an actionist painting event by Steve Rose, and a classic Dada lecture/performance by Al Hansen. SOME MANIPULATIONS was premiered in December 1967 as one of the continuous loop elements in Jud Yalkut's DESTRUCT FILM environment, in which spectator/participants were obliged to walk, sit on, and dive into a floor covered with unrolled "junk" 16mm film in order to view the rotating slide and film projections. The film's inclusion represented an instance of ultimate feedback of events back into the space in which they had been presented.

There can be very few people who have not heard the term, Nazi. And yet there are very few who can pinpoint the actual meaning. Yes, it brings to mind terrible atrocities and evil looking characters from war films. We all know that it is a word with evil connotations. Their symbol, the swastika, is banned from public display in almost all parts of the world. But why is it, that in living memory, millions of people followed them? How did so many people get drawn into what became, quite possibly, the darkest period in human history? In this film we look into the purpose of the Nazi party. We explore the power they had over the mind and we examine their methods of propaganda and hypnosis.

Marked by a playful, irreverent sense of improvisation and experimentation, these experiments with image manipulation and synthesis form a link between Paik's performance and sculptural works of the 1950s and early 1960s and the celebrated video works and installations of his later years.

If there is a fixed number of words that a person speaks within his/her lifetime, and if that number is controlled from somewhere by someone, then it would probably be like the story in this film.

It's not true that I remember my husband's disappearance and the strange events that happened. Soo-yeon is consulted by psychiatrist Jeong-woo after her husband Yeong-min disappears, and Jeong-woo visits the site and advice Soo-yeon whose memories are confused to visit the place where she first met her husband. Soo-yeon suddenly changes her attitude when she finds her dead husband Yeong-min's body there. Meanwhile, Soo-yeon learned from the insurance investigator that all the men who had been married so far died and received huge insurance money. At that time, Soo-yeon and Jeong-woo who invited Jeongwoo to a party in a remote mansion in the mountains, face a shocking and terrible truth there.

Documentary by Helke Sander, in collaboration with Harun Farocki (among others), about the campaign of the West German New Left against the publishing house Springer, particularly its control and manipulation of the news.